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Jazz Articles about Bill Anschell

345
Album Review

Bill Anschell: Figments

Read "Figments" reviewed by Dan McClenaghan


Pianist Bill Anschell normally involves himself in projects that shine with a high polish, recordings like the Wellstone Conspiracy's collaborative Motives (Origin, 2010) and his own More to the Ear than Meets the Eye (Origin, 2006), or in the sideman slot on the marvelous Reunion, led by saxophonists Pete Christlieb and Hadley Caliman. In addition, Anschell served as Nnenna Freelon's pianist/arranger/musical director for a number of years, where a sheen on the vocalist's backdrop was the name of the game. ...

216
Album Review

Hadley Caliman and Pete Christlieb: Reunion

Read "Reunion" reviewed by C. Michael Bailey


Both Hadley Caliman and Pete Christlieb were active on Los Angeles jazz scene going on 50 years ago, and the two tenor saxophonists actually performed together at the time. Real life got in the way, guiding each man in his allotted direction. Origin Records' house pianist (and All About Jazz Contributor) Bill Anschell brought the two together for Reunion, composing a good old fashioned cooker to open the disc. “Little Dex" (after Dexter Gordon) is thus titled ...

380
Album Review

Hadley Caliman / Pete Christlieb: Reunion

Read "Reunion" reviewed by Dan McClenaghan


Reunion showcases a couple of old saxophone pros diving deep into the jazz mainstream, backed by an energized rhythm section. Tenor men Hadley Caliman and Pete Christlieb worked together on the Los Angeles Central Avenue jazz scene back in the 1960s, at a club called Marty's, where Caliman was the mentor. Forty-plus years later, they're back together again, on an absolute jewel of a straight-ahead offering.Caliman's recording career went dormant for thirty years--a drug problem, jail time, rehabilitation, ...

242
Album Review

Bill Anschell/Brett Jensen: We Couldn't Agree More

Read "We Couldn't Agree More" reviewed by John Barron


We Couldn't Agree More is a great example of what happens when two like-minded musicians gather for an impromptu session, playing through a list of well-worn standards. Pianist Bill Anschell and soprano saxophonist Brent Jensen deliver a relaxed, humorously inventive duo recording that happily swings from beginning to end. Recorded in Boise, Idaho, during a break from a tour of the state (Jensen is an Assistant Professor of Music at the College of Southern Idaho in Twin Falls), ...

238
Album Review

Bill Anschell / Brent Jensen: We Couldn't Agree More

Read "We Couldn't Agree More" reviewed by C. Michael Bailey


By definition, the classical or jazz duo is the most intimate performance format. Intimacy requires two parties sharing with a base empathy. An example is Eddie Daniels and Roger Kellaway's A Duet of One (2008, IPO), where the two principles shared a great love for the mainstream and its sensitive presentation.

Enter west coasters, pianist Bill Anschell and soprano saxophonist Brent Jensen, with We Couldn't Agree More. This instrument combination instantly recalls the Steve Lacy and Mal Waldron recordings of ...

356
Album Review

Bill Anschell: More to the Ear Than Meets the Eye

Read "More to the Ear Than Meets the Eye" reviewed by Dan McClenaghan


Pianist Bill Anschell has carved out a fairly high profile for himself as an accompanist and arranger, most recently on vocalist Jeff Baker's vibrant Monologue (OA2 Records, 2005), and previously with his stint touring and recording as musical director for Nnenna Freelon from 1992-96. With More to the Ear Than Meets the Eye, Anschell steps out as leader on a set that showcases his penchant for forthright lyrical beauty and spontaneous chance-taking that always hits the mark.The set, ...

461
Bill Anschell's Notes from the Lobby

Notes from the Lobby

Read "Notes from the Lobby" reviewed by Bill Anschell


The light is unsettling; too bright, by far, for the dark business at hand. My fingers work tirelessly. Visible beneath them, a workspace painful to the glance; brilliant, aching white. Should I look away, bury my gaze instead in the teeming masses before me? They transact ceaselessly, without apology. Harshly lit, the greedy faces are easily identified, yet there is mystery about them. Shouldn't it be nighttime? Shouldn't we be in a darkened restaurant, or a seamy, ill-lit ...


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