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About Bill Anschell
Bill Anschell: Figments
by C. Michael Bailey
Bill Anschell is a lot of things. He is house pianist and mainstay at Origin Arts, showing up on a wide range of projects. He also contributes to this publication, writing with grace on craft of jazz. But, late at night, he is a musical James Joyce, spinning musical thread off the top of his head. And so he does on Figments. Recorded over a series of late nights, after practicing his chosen craft, Anschell clears his ...
Continue Reading...Bill Anschell: Figments
by Dan McClenaghan
Pianist Bill Anschell normally involves himself in projects that shine with a high polish, recordings like the Wellstone Conspiracy's collaborative Motives (Origin, 2010) and his own More to the Ear than Meets the Eye (Origin, 2006), or in the sideman slot on the marvelous Reunion, led by saxophonists Pete Christlieb and Hadley Caliman. In addition, Anschell served as Nnenna Freelon's pianist/arranger/musical director for a number of years, where a sheen on the vocalist's backdrop was the name of the game. ...
Continue Reading...Hadley Caliman and Pete Christlieb: Reunion
by C. Michael Bailey
Both Hadley Caliman and Pete Christlieb were active on Los Angeles jazz scene going on 50 years ago, and the two tenor saxophonists actually performed together at the time. Real life got in the way, guiding each man in his allotted direction. Origin Records' house pianist (and All About Jazz Contributor) Bill Anschell brought the two together for Reunion, composing a good old fashioned cooker to open the disc. Little Dex" (after Dexter Gordon) is thus titled ...
Continue Reading...Hadley Caliman / Pete Christlieb: Reunion
by Dan McClenaghan
Reunion showcases a couple of old saxophone pros diving deep into the jazz mainstream, backed by an energized rhythm section. Tenor men Hadley Caliman and Pete Christlieb worked together on the Los Angeles Central Avenue jazz scene back in the 1960s, at a club called Marty's, where Caliman was the mentor. Forty-plus years later, they're back together again, on an absolute jewel of a straight-ahead offering.Caliman's recording career went dormant for thirty years--a drug problem, jail time, rehabilitation, ...
Continue Reading...Bill Anschell/Brett Jensen: We Couldn't Agree More
by John Barron
We Couldn't Agree More is a great example of what happens when two like-minded musicians gather for an impromptu session, playing through a list of well-worn standards. Pianist Bill Anschell and soprano saxophonist Brent Jensen deliver a relaxed, humorously inventive duo recording that happily swings from beginning to end. Recorded in Boise, Idaho, during a break from a tour of the state (Jensen is an Assistant Professor of Music at the College of Southern Idaho in Twin Falls), ...
Continue Reading...Bill Anschell / Brent Jensen: We Couldn't Agree More
by C. Michael Bailey
By definition, the classical or jazz duo is the most intimate performance format. Intimacy requires two parties sharing with a base empathy. An example is Eddie Daniels and Roger Kellaway's A Duet of One (2008, IPO), where the two principles shared a great love for the mainstream and its sensitive presentation.
Enter west coasters, pianist Bill Anschell and soprano saxophonist Brent Jensen, with We Couldn't Agree More. This instrument combination instantly recalls the Steve Lacy and Mal Waldron recordings of ...
Continue Reading...Bill Anschell: More to the Ear Than Meets the Eye
by Dan McClenaghan
Pianist Bill Anschell has carved out a fairly high profile for himself as an accompanist and arranger, most recently on vocalist Jeff Baker's vibrant Monologue (OA2 Records, 2005), and previously with his stint touring and recording as musical director for Nnenna Freelon from 1992-96. With More to the Ear Than Meets the Eye, Anschell steps out as leader on a set that showcases his penchant for forthright lyrical beauty and spontaneous chance-taking that always hits the mark.The set, ...
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