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Jazz Articles about Ben Monder

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Radio & Podcasts

Ben Monder, Joao Lencastre & Emile Parisien

Read "Ben Monder, Joao Lencastre & Emile Parisien" reviewed by Maurice Hogue


The much-respected guitarist Ben Monder took ten years to painstakingly craft the music on his latest release Planetarium. It's Monder at his finest, filtering through various moods, technique and sonic surprises. There's new music from Europe as usual--the German trio Brom, French soprano sax wizard Emile Parisien and his quartet, and Portuguese drummer Joao Lencastre and friends cutting loose on some Ornette & Monk tunes. Drummer Ivanna Cuesta from the Dominican Republic has been noticed of late and her new ...

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Album Review

Matt Pavolka: Disciplinary Architecture

Read "Disciplinary Architecture" reviewed by Glenn Astarita


Matt Pavolka, a seasoned bassist and composer, has carved a distinct niche in the New York jazz scene for over two decades. Initially focused on trombone (studying under the legendary David Baker), Pavolka's path took a sharp turn at Berklee College of Music. There, he switched to bass and blossomed as a composer, earning accolades for both performance and composition. His latest offering, Disciplinary Architecture, is a record brimming with ambition and a unique sonic atmosphere. The album ...

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Play This!

Ben Monder: Hydra

Read "Ben Monder: Hydra" reviewed by Mike Jacobs


Stylistically hard-to-describe artists are nothing new. However, with Ben Monder's solo excursions, one often feels the need to issue a warning/disclaimer that might read something like, “Caution--Exiting Known Musical Universe." The 24-minute title track from his album Hydra (Sunnyside, 2013) indeed melds techniques and generic signposts from jazz, rock, medieval and modern classical music, but it may be the harmonic space that dominates Monder's vision that is most remarkable--a mysterious zone the eschews nearly all familiar harmony without wallowing in ...

Album Review

Jeremy Udden: Wishing Flower

Read "Wishing Flower" reviewed by Angelo Leonardi


Jeremy Udden è un sassofonista e compositore dallo stile impressionista, che predilige atmosfere intime di sapore folk, in temi melodicamente lenti e descrittivi. Come spiega nelle note del disco, le sue composizioni sono ispirate al suo vissuto biografico di giovane nato e cresciuto nel contesto rurale del Massachusetts ed entrato poi nella dimensione urbana. Residente da anni a Brooklyn, Udden osserva la gioia della figlia nei percorsi casa-scuola, quand'è attratta dalla bellezza dei fiori che nascono spontaneamente nei giardini o ...

Album Review

Sunny Kim, Vardan Ovsepian, Ben Monder: Liminal Silence

Read "Liminal Silence" reviewed by Alberto Bazzurro


Un felice cocktail acustico/elettr(on)ico con sostanziosa e significativa presenza vocale (quindi triplice) è quanto ci giunge da questo album, inciso nella primavera 2023 da una cantante coreana trapiantata in Australia, un pianista estone e un chitarrista statunitense (il più noto dei tre). Un ventaglio geografico così composito, evidentemente, non poteva non dar vita a un progetto altrettanto composito, per quanto, come si diceva, assolutamente coeso nei percorsi e negli esiti. Nella vocalità di Sunny Kim c'è addirittura ...

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Album Review

George Winstone: Odysseus

Read "Odysseus" reviewed by Neil Duggan


Surprisingly, George Winstone's album Odysseus has no connection with Greek Mythology, the Trojan War or Homer's epic poem. For Winstone, the title just seemed to fit. Indeed, it does seem apt; the soundscapes and moods that Winstone, together with guitarist Ben Monder, create would be suitable for the arc of many a journey narrative. London-born saxophonist Winstone released his first EP in 2018. The following year, to move his career forward, he relocated to New York City. Monder ...

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Album Review

Benjamin Boone: Caught in the Rhythm

Read "Caught in the Rhythm" reviewed by Paul Rauch


The connection between poetry and jazz music is a delicate one. It has been documented so infrequently, in performance and recordings, that one still conjures the flicker of an image of Jack Kerouac reading in some dark Greenwich Village cafe with Steve Allen or Zoot Sims, surrounded by beret-wearing, cappuccino-sipping beatniks. The work of Fresno-based saxophonist Benjamin Boone has assisted in widening that view through four albums recorded for the Origin Records label, including the fourth, Caught in the Rhythm ...


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