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Jazz Articles about Behn Gillece

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Radio & Podcasts

Dino Saluzzi, Behn Gillece, Ben Clifton, Aruán Ortiz, Karl Evangelista’s Apura

Read "Dino Saluzzi, Behn Gillece, Ben Clifton, Aruán Ortiz, Karl Evangelista’s Apura" reviewed by Cheryl K.


During this week's two-hour program of jazz and improvised music, new music from bandoneonist Dino Saluzzi; vibraphonists Behn Gillece and Mike Freeman; vocalist Dara Starr Tucker; pianists Ben Clifton and Aruán Ortiz; and guitarist Karl Evangelista's Apura. Playlist Alice Coltrane “Rama Katha" from Kirtan: Turiya Sings (Impulse!) 11:42 Ashley Jackson “Radhye-Shyam" from Take Me to the Water (Decca) 5:38 Dino Saluzzi “Tiempos de Ausencias (Times of Absence)" from El Viejo Caminante (ECM) 4:26 Oscar Peterson “Soft Wind" from ...

2
Radio & Podcasts

New Music From Gillece, Thompson, Crotty And More

Read "New Music From Gillece, Thompson, Crotty And More" reviewed by Bob Osborne


On this show a selection of the best in brand new releases plus reissued material from Billy Harper, Cecil Taylor & Tony Oxley, and Ivo Perelman. To close two tracks from the legendary Ornette Coleman.Playlist Behn Gillece “Haymaker" from Pivot Point (Posi-tone Records) 00:00 Mike Thompson “May (feat. Mike Caudill, Mark Shilansky & Dan Rosenthal)" from 6th Avenue (Hexproof Records) 05:13 George Crotty Trio “Heart Music" from Heart Music (Self Released) 15:51 Alchemy Sound Project performs the music ...

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Album Review

Behn Gillece: Pivot Point

Read "Pivot Point" reviewed by David A. Orthmann


Anyone who has listened to at least some of the Posi-Tone releases from the past several years will recognize the personnel on Pivot Point: vibraphonist Behn Gillece 's eighth date as a leader. Tenor/soprano saxophonist Willie Morris,, pianist Jon Davis, bassist Boris Kozlov and drummers Rudy Royston and Jason Tiemann have made substantial contributions to many of the label's projects situated in various points in the jazz mainstream. To put it bluntly, these guys are incapable of phoning it in. ...

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Album Review

Behn Gillece: Pivot Point

Read "Pivot Point" reviewed by Carl Medsker


Posi-Tone will have released 253 albums in its post-bop contemporary mainstream jazz space with Pivot Point by Behn Gillece. Maintaining freshness and avoiding formula could become a creative challenge for any such productive label, but Gillece avoids that potential pitfall through well-written songs, crafty arrangements and excellent musicianship. The sequencing of songs is also thoughtful, varying in meter, style and emotion. Pivot Point is sufficiently complex and intelligent to warrant multiple listenings, but is simultaneously lots of fun.

4
Radio & Podcasts

Behn Gillece, Charles Chen, Greg Murphy, Masha Campagne and more

Read "Behn Gillece, Charles Chen, Greg Murphy, Masha Campagne and more" reviewed by Benjamin Boddie


Today's Music--Right Now! Fantastic music by Behn Gillece, Charles Chen, Greg Murphy, Masha Campagne, Brad Turner, Saul Dautch, Greg Hopkins, Sandra-Mae Lux, Mike Prigodich, Mark Masters, Tyler Henderson, Dale Fielder, Robert Turner, Jeffrey Gimble, Sean Nelson, Diego Rivera, Bill Stewart, Deborah Silver, Carlos Mena, Brandon Woody, James Moody, Cyrus Chestnut, Kandace Springs, John Clayton, Sharel Cassity, and more. Playlist Behn Gillece “Stranded In Elizabeth 1644" from Pivot Point (Posi-Tone Records) 00:00 Charles Chen “Chang Fei, Fierce Warriors" from ...

10
Liner Notes

Altin Sencalar: Unleashed

Read "Altin Sencalar: Unleashed" reviewed by C. Andrew Hovan


Often overshadowed by other solo instruments, the trombone boasts a rich history in jazz--one so vast it could fill volumes. New Orleans, the birthplace of jazz, also gave rise to Kid Ory, a pioneer of the “tailgate" style of trombone playing. In the early 1900s, bandleaders often promoted their shows by parading through town on horse-drawn wagons. Trombonists, needing space to extend their instrument's slide, would sit at the back on the open tailgate, projecting their bold, brassy sound into ...

1
Album Review

Willie Morris: Unbound Inner

Read "Unbound Inner" reviewed by David A. Orthmann


Willie Morris's third release as a leader for Posi-Tone opens with the haunting “Flyover Country," which only includes the leader's tenor saxophone and pianist Jon Davis. Combining improvisation and Morris's earnest, subdued theme, the two-minute 25-second gem doesn't declare any particular stylistic allegiance, nor does it clamor for attention. Instead, Morris's and Davis's partnership evokes a pristine stillness and wistful melancholy yet is purposeful enough to get under one's skin. The track is a refreshing, counterintuitive way to launch a ...


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