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Jazz Articles about Barry Guy

105
Album Review

Barry Guy -- London Jazz Composers Orchestra: Study II, Stringer

Read "Study II, Stringer" reviewed by Glenn Astarita


This newly-released outing looms as a modern/free jazz fest, highlighting studio sessions performed in 1983 ("Stringer, London) and 1991 ("Study II," Switzerland) and led by bassist Barry Guy's multinational orchestra, featuring a who's who of the Euro jazz and improvisation scene. The bassist steers the ensemble through a potpourri of mood-evoking frameworks. In addition to spiraling soprano sax solos by Evan Parker and yearning lines by trumpeter Kenny Wheeler, Guy's compositions boast ominous strings and horns passages instilled with climactic ...

376
Multiple Reviews

Barry Guy: Oort-Entropy / Dakryon

Read "Barry Guy: Oort-Entropy / Dakryon" reviewed by Andrey Henkin


Few could imagine in 1972, when bassist Barry Guy first convened the London Jazz Composers Orchestra, its future impact as a large ensemble. When he chose to work with a “new orchestra in 2000, the scope was condensed, 10 players doing the work of what had been 20, but surprisingly was no less expansive.

Barry Guy New Orchestra Oort-Entropy Intakt 2005

With his New Orchestra, Guy has brought together a international tentet - Evan Parker, Mats ...

219
Album Review

Barry Guy New Orchestra: Oort-Entropy

Read "Oort-Entropy" reviewed by Glenn Astarita


Seminal free jazz bassist Barry Guy is responsible for manning some of the finest albums in this rather opaque genre. Aside from his longtime affiliations with saxophonist Evan Parker and drummer Paul Lytton--both of whom are featured here--the bassist is no stranger to leading exploratory ensembles.

Guy's small orchestra equates to a multinational tentet. Sure, he's a killer bassist, but more importantly, this release signifies an autonomous union of like-minded spirits where shape and form play a significant ...

113
Album Review

Barry Guy New Orchestra: Oort-Entropy

Read "Oort-Entropy" reviewed by Derek Taylor


As a general rule of thumb, the bigger the band, the larger the role of logistics and finances in dictating its survival. In response to just such variables, the London Jazz Composer's Orchestra, one of the most venerable and prolific among large-scale European improvising outfits, underwent a necessary and indefinite hiatus back in 1998. Two years later a pruned down and reconfigured version resurfaced under the mantle of the Barry Guy New Orchestra. Ten pieces might seem a bit slim ...

137
Album Review

Barry Guy/Marilyn Crispell/Paul Lytton: Ithaca

Read "Ithaca" reviewed by Ollie Bivens


Barry Guy is a British bassist and founder of the London Jazz Composers Orchestra. On his latest album on the Intakt label he, fellow British drummer Paul Lytton and American pianist Marilyn Crispell explore the outer reaches of a style of music - free jazz - that deserves a wider hearing among the American public. Ithaca is a good place to start for the listener who has open ears for a more cutting-edge branch from the many styles of the ...

330
Album Review

Barry Guy/Marilyn Crispell/Paul Lytton: Ithaca

Read "Ithaca" reviewed by Glenn Astarita


Inspired by two architects and underscored by Irish artist George Vaughn's piece Ithaca, bassist Barry Guy and his bandmates enact various planes and emotive elements on this superb effort. With this outing--and a second trio date for Intakt Records--the trio morphs tumultuous crosscurrents with driving and oddly balanced rhythms.

Guy, pianist Marilyn Crispell, and percussionist Paul Lytton are among the more notable improvisers on the globe. To that end, this band's mark of distinction and clarity of execution ...

124
Album Review

Barry Guy/Marilyn Crispell/Paul Lytton: Ithaca

Read "Ithaca" reviewed by Andrey Henkin


In 1968, three Europeans--pianist Irene Schweizer, bassist Peter Kowald and drummer Pierre Favre--privately released Santana , on the surface a traditional piano trio, but in fact a violent refutation of jazz' most dependable format. Laden with a brutality that may have made Cecil Taylor blanche, Santana was another example of European free improvisation cutting the cord from traditional American jazz. Now, 36 years later, another piano trio, comprised of peers of the Santana group (bassist Barry Guy and ...


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