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Will Brahm: Distance to Empty
by Karan Khosla
Distance to Empty is a phrase that carries a familiar feeling--something you might glimpse glowing on the dashboard as you pull away from a final pit stop before a long journey. Will Brahm, metaphorically and musically, poses these questions: How far can you go with what you have? What is left in the tank? What is possible, and what awaits at the edge of it all? Brahm is a Los Angeles-based guitarist and composer whose music moves fluidly ...
Continue ReadingAnthony Fung: Boo Boo's Birthday
by John Chacona
Show business savants know the power of a marquee name in the credits, and the lesson has not been lost on jazz musicians. So it's no surprise that Canadian-born drummer Anthony Fung invited fellow Angeleno Mark Turner to guest on Fo(u)rth (Self Produced, 2023). The risk of being upstaged is always present, even with an artist as thoughtful and modest as Turner. And the saxophonist fairly dazzles on “Boo Boo's Birthday," the only cover on an album of Fung originals. ...
Continue ReadingPluto Juice: Pluto Juice
by Glenn Astarita
The EWI (Electronic Wind Instrument) was popularized in the 1980s by the late sax great Michael Brecker, and allegedly is a difficult instrument to learn because the buttons are touch sensitive and its sound bank possesses the characteristics of multiple woodwind instruments. Moreover, the EWI contains a controller and a sound module and is not simply an electronic sax device. But highly regarded saxophonist Dayna Stephens seems to have surmounted any hurdles and conveys a rather all-inclusive scope on this ...
Continue ReadingWill Lyle: L.A. Source Codes
by Kyle Simpler
For computer programmers, a source code is a piece of computer language, which they are able to read and transfer and put to use in a practical way. With his debut album, L.A. Source Codes, bassist Will Lyle makes a connection between this concept and jazz. As with computer programming, jazz has its own language, and learning the language of jazz can be somewhat challenging. A skilled player, however, can take musical “source codes," such as chords, scales and arpeggios, ...
Continue ReadingDan Rosenboom: Points of an Infinite Line
by Friedrich Kunzmann
Released in the environment of his own label's absolute creative control, trumpeter Dan Rosenboom's newest outing sees a chordless quartet venturing beyond the borders of swing, exploring heavy grooves and free-wheeling improvisation to the point where jazz, hip hop and the rough edges of many other genres meld together to a single style that simultaneously defies the same categorizes of which it is made. Rosenboom's L.A.-based cohorts, drummer Anthony Fung, saxophonist Gavin Templeton and double bassist Billy Mohler, are instrumental ...
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