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Jazz Articles about Alice Coltrane


About Alice Coltrane

163

Multiple Reviews

Alice Coltrane: The Flowering of Astral Jazz

Read "Alice Coltrane: The Flowering of Astral Jazz" reviewed by Chris May

by Chris May

The launch of Impulse! Records' 2-on-1 reissue series--which packages two original LPs on one CD--includes six key albums from the glorious first flowering of the astral jazz forged by pianist and harpist Alice Coltrane and saxophonist Pharoah Sanders on Impulse! towards the end of the 1960s.The style emerged following saxophonist John Coltrane's passing in 1967, when Alice Coltrane and Sanders--both members of John Coltrane's later groups--repositioned at center stage the African and Indian percussion instruments and song forms ...

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420

Live Review

Alice Coltrane Quartet Triumphs at NJPAC

Read "Alice Coltrane Quartet Triumphs at NJPAC" reviewed by Joel Levin

by Joel Levin

Alice Coltrane Quartet New Jersey Performing Arts Center Newark, NJ October 22, 2006

On October 22, Alice and Ravi Coltrane et al. roared into town, captivating a few thousand of their adoring subjects at the New Jersey Performing Arts Center.

As for jazz royalty, they don't come more blue-blooded than the widow and son of saxophonist John Coltrane, possibly the most acclaimed, most influential composer/player of the past half century.

The ...

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315

Album Review

Alice Coltrane: The Impulse Story

Read "The Impulse Story" reviewed by Chris May

by Chris May

Alice Coltrane has always had a raw deal from the jazz world. Either patronised or dismissed out of hand, she's suffered the double whammy of one, being a woman in what (until very recently) was overwhelmingly a man's world, and two, being John Coltrane's widow--and therefore, by some strange logic, not a serious artist in her own right. At the same time Coltrane has made massive contributions to the preservation and development of her husband's work, she has also maintained ...

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187

Album Review

Alice Coltrane: Translinear Light

Read "Translinear Light" reviewed by Chris May

by Chris May

To say that we've been waiting 26 years, since her last commercial release, Transfiguration, for Alice Coltrane to return to the serene “Eastern" astral jazz which she and Pharoah Sanders developed in the late '60s, is not entirely accurate. That would imply the expectation that such a return would, one day, be made--and since Coltrane withdrew from the jazz world in 1980 to devote herself to spiritual pursuits, her re-emergence seemed to grow less likely with every passing year.

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439

Album Review

Alice Coltrane: Translinear Light

Read "Translinear Light" reviewed by John Kelman

by John Kelman

At its best, music is a reflection of who we are, where we've been and where we're going. It transcends classification and, instead, becomes something personal, a powerful force that paints a clear and honest picture of the spirit of the performer. While some artists are concerned with the mechanics of music, the logic of how notes and rhythms fit together in new and intriguing ways--and there's absolutely nothing wrong with that--others view music as more of a conduit, a ...

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519

Album Review

John Coltrane: The Olatunji Concert: The Last Live Recording

Read "The Olatunji Concert: The Last Live Recording" reviewed by Colin Fleming

by Colin Fleming

Composed almost entirely of violently shifting textures and a commitment to dissonance that all but blasphemes melody and musical forms, this document of John Coltrane's last recorded concert from April '67 is decidedly horrific, threatening, and appropriately staggering. Having forsaken his famous “sheets of sound" for a new, overly propulsive medium in the mid-sixties, Coltrane's last phase was nearly anti-jazz or, if one wants, almost anti-music. Yet on this recording it is Pharoah Sanders who truly has his ...

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488

Profile

In the Spirit: Alice Coltrane

Read "In the Spirit: Alice Coltrane" reviewed by Kurt Gottschalk

by Kurt Gottschalk

Alice Coltrane walked out onstage, joining an ensemble led by her son Ravi on a recent and historic night at Joe's Pub. The bassist Darryl Hall played an immediately recognizable four-note line and the group (also featuring drummer E.J. Strickland) launched into the only reasonable song they could have chosen for the evening, if one that many in the packed room might well have thought would be too much to ask for. Meanwhile, a continent away stands a church that ...

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