Home » Jazz Articles » Album Review » John Coltrane: The Olatunji Concert: The Last Live Recording
John Coltrane: The Olatunji Concert: The Last Live Recording
Yet on this recording it is Pharoah Sanders who truly has his way with defiling Coltrane's more melodic past. His runs are beset with scratching, brittle, upper register notes occasionally mimicked by Coltrane or augmented by his wife, Alice, on piano. As for the venue itself, the Olatunji Center was a converted gymnasium in Harlem and sounds like it; this is the loudest, most tightly packed Coltrane on record, the sound entirely boxed in and over-amped.
At one point, a car horn is audible from the street below and becomes, like the breaking of glass in the Velvet Underground's "European Son," a prelude to cacophony by way of found sound; the engineer flips off the mic by the windowGod forbid any traffic noises joined the dinand everything that follows comes out of one channel. Twenty-five minutes into the second and final song, "My Favorite Things," one can pick out a snatch of melody, but by then it's hopeless. There isn't going to be the sustained reward of anything familiar, affirming, nothing, just gaping maw.
An Endgame for the jazz set.
This article first appeared on Goldmine. Reprinted with permission.
Track Listing
Introduction by Billy Taylor; Ogunde; My Favorite Things.
Personnel
John Coltrane
saxophonePharoah Sanders
saxophone, tenorAlice Coltrane
pianoJimmy Garrison
bass, acousticRashied Ali
drumsAlgie DeWitt
percussionAlbum information
Title: The Olatunji Concert: The Last Live Recording | Year Released: 2001 | Record Label: Impulse! Records
About John Coltrane
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






