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Jazz Articles about Aki Takase


About Aki Takase

481

Album Review

Aki Takase / Rudi Mahall: Evergreen

Read "Evergreen" reviewed by Nic Jones

by Nic Jones

One of the things that become obvious whenever a musician is recorded frequently is how they address what has gone before. Pianist Aki Takase has her own distinctive voice as instrumentalist, composer and performer, but evidently--and happily--that triple threat isn't enough. She also has an uncommon knack for bringing something fresh to whatever music she cares to tackle.

The whole of this disc is a case in point, and its title is the antithesis of the product of passing thought. ...

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436

Album Review

Aki Takase / Alexander Von Schlippenbach: Iron Wedding

Read "Iron Wedding" reviewed by Nic Jones

by Nic Jones

If there was ever anything predictable about these two pianists coming together on record, the results are anything but. Alexander von Schlippenbach is the senior figure by some decades, but this is still such a meeting of minds that the difference of time pales into insignificance. This is their first meeting on record in fifteen years. Time passing has honed their dialectic, rendering it the product of evolving sensibilities.

That's clear enough on the ten minutes of “Suite In Five ...

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1

Album Review

Aki Takase - Silke Eberhard: Ornette Coleman Anthology

Read "Ornette Coleman Anthology" reviewed by AAJ Italy Staff

by AAJ Italy Staff

E’ un sentito e appassionato omaggio alla musica di Ornette il nuovo progetto monografico di Aki Takase. Dopo i tributi a Fats Waller, Eric Dolphy e W.C. Handy per la pianista giapponese nel 2006 è arrivato il momento di affrontare il maestro che conobbe negli ani Sessanta attraverso il disco At the Golden Circle. Con questo lavoro a quattro mani e a due voci, la Takase ha antologizzato la prima parte della strepitosa storia discografica del sassofonista texano. Ne è ...

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1

Album Review

Aki Takase: Something Sweet, Something Tender

Read "Something Sweet, Something Tender" reviewed by AAJ Italy Staff

by AAJ Italy Staff

Disco diseguale questo Something Sweet, Something Tender di Aki Takase. La pianista giapponese si confronta in solitudine con alcuni autori che ne hanno segnato la crescita artistica (Monk, Dolphy, C. Bley, O. Coleman, il marito von Schlippenbach) e mette in mostra le proprie doti di scrittura soprattutto nella suite intitolata “Something for A“. Ma non sempre Takase centra lo spirito delle composizioni con intuizioni originali o rivisitazioni all’altezza della sua creatività. Così a fronte di una strepitosa “Walking Batterie Woman”, ...

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422

Extended Analysis

Aki Takase & Silke Eberhard: Ornette Coleman Anthology

Read "Aki Takase & Silke Eberhard: Ornette Coleman Anthology" reviewed by Nic Jones

by Nic Jones

Aki Takase & Silke Eberhard Ornette Coleman Anthology Intakt Records 2007

Is pianist Aki Takase making a point of releasing an outstanding duo CD every year? Spring In Bangkok (Intakt Records, 2006), in the company of vocalist Lauren Newton, was a model of in-the-moment creativity, and whilst the reasoning behind this latest release is radically different, the end result is equally stimulating.

Tackling a two-disc program of pieces by saxophonist Ornette Coleman ...

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121

Album Review

Aki Takase / Lauren Newton: Spring In Bangkok

Read "Spring In Bangkok" reviewed by Nic Jones

by Nic Jones

Both Aki Takase and Lauren Newton have shown admiral commitment to music on the margins, and this is a highly idiosyncratic documentation of their work in progress. The term “singing" has never be adequate for what Newton does with her voice, and the fact that so much of her communication is non-verbal gives this music a timeless air, lifting it out of the specifics of reading lyrics. The upholders of “the tradition" should not be getting crimson of face, however, ...

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1

Album Review

Aki Takase: Tarantella

Read "Tarantella" reviewed by AAJ Italy Staff

by AAJ Italy Staff

Ci sono due curiosi depistaggi sulla copertina dell’ultimo lavoro discografico della pianista giapponese Aki Takase. Il primo si riferisce al nome del gruppo, la cui sigla “piano quintet” farebbe presagire un ensemble costruito intorno al ruolo centrale del pianoforte; il secondo si riferisce al titolo, Tarantella, che parrebbe evocare una gioiosa danzabilità o atmosfere ricche di profumi folklorici. Nulla di tutto ciò emerge dalle sette tracce registrate nel settembre del 1997 per una produzione originale della radio di Berlino. Il ...

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