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Bill Evans: Touch
by Paula Edelstein
Touch, produced by veteran saxophonist-composer Bill Evans for his debut on Zebra Records is one of compositional integrity that continues to explore the melodic themes of his previous release, Starfish & The Moon. His 11th as a leader, Touch exemplifies the personality and depth of Bill Evans’ musicianship on tunes ranging from smooth to straight ahead, charged with soaring soprano and robust tenor solos. The serenely lyrical “In Your Heart” imprints his smooth sax deep within the soul, ...
Continue ReadingBill Evans: Touch
by Ed Kopp
Whenever I hear a soprano saxophone played over a pre-programmed beat my attention inevitably wavers, even if the music it is somewhat challenging. I call this condition the Kenny G Syndrome.While listening to Touch I really had to fight through the Kenny G Syndrome on a couple of tracks, but in time I warmed up to most of these 11 tunes.To be fair, Bill Evans is no Kenny G. He's a veteran solo artist with a ...
Continue ReadingLost Tribe: Many Lifetimes
by John W. Patterson
It is good to hear more of this phenomenal jazz unit. From their debut self-titled release in 1992 to Soulfish in 1993 it was pure ecstasy for me to try to keep up with all this band's hyper-kinetic twists and turns. They could Coltrane soothe, they could play heavy metallic fusion, they would rap to jazz, they got speed funky, and even strains of Mahavishnu Orchestra could be detected. But first and foremost Lost Tribe was avant-garde cutting edge jazz. ...
Continue ReadingDavid Binney: Free To Dream
by Glenn Astarita
New York City Downtown Scene" alto saxophonist David Binney has produced a winner here. Binney has gained some much-deserved recognition due to his dazzling virtuosity with artists such as Drew Gress, Edward Simon and the beloved hard-edged jazz-fusion band, Lost Tribe. Free To Dream is Binney's first solo effort on his newly formed Mythology Records label. Here, Binney is supported by a mini-brass section, exotic percussion, muscular rhythms and long time associate Edward Simon on the piano. Free To Dream ...
Continue ReadingLost Tribe: Many Lifetimes
by AAJ Staff
It is good to hear more of this phenomenal jazz unit. From their debut self-titled release in 1992 to Soulfish in 1993 it was pure ecstasy for me to try to keep up with all this band's hyper-kinetic twists and turns. They could Coltrane soothe, they could play heavy metallic fusion, they would rap to jazz, they got speed funky, and even strains of Mahavishnu Orchestra could be detected. But first and foremost Lost Tribe was avant-garde cutting edge jazz. ...
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