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22
Album Review

Mike LeDonne's Groover Quartet: Turn It Up!

Read "Turn It Up!" reviewed by Jack Bowers


Turn It Up!, the latest recording by organist Mike LeDonne's superb and long-lived Groover Quartet, is actually a two- CD set that reprises concert sessions recorded twenty years apart--the first, You'll See! (Cellar Records, 2004) in Vancouver's now- defunct Cellar Jazz Club, the second,Turn It Up!, in 2024 at Ken Kitchings' The Side Door in Old Lyme, Connecticut. It is hard to say what is most remarkable about the concerts: that the group has preserved its uncommon mastery and rapport ...

8
Album Review

Smooth Elevator: Moving Target

Read "Moving Target" reviewed by Doug Collette


With a band name that bespeaks fluid motion in the general direction of ascent, Smooth Elevator has set a high bar for itself. But the international trio of guitarist Will Bernard, bassist Danilo Gallo and drummer Gioele Pagliaccia wisely recorded Moving Target live in the studio, fresh from live dates, and, in so doing, captured the purity of their instrumental dynamic over the course of a baker's dozen selections. Taking into account such serendipity, it is thus little ...

7
Radio & Podcasts

Christian McBride, Caelan Cardello, Nicole Zuraitis and Stanley Clarke

Read "Christian McBride, Caelan Cardello, Nicole Zuraitis and Stanley Clarke" reviewed by Joe Dimino


In honor of the return of the Kansas City Jazz & Blues Fest after a 20+ year hiatus, we begin with a headliner of that October 4, 2025 day of music gems with the legendary Stanley Clarke with music off his 1993 album East River Dance. From there, we hop right into an Italian musician with deep KC roots in Roberto Magris with music off his new 2025 album Lovely Days. From there, we get into an eclectic mix of ...

10
Album Review

Earscratcher - Rempis/Harnik/Lonberg-Holm/Daisy: Otoliths

Read "Otoliths" reviewed by Mark Corroto


How do these four musicians--individually and collectively--manage to create music that is consistently compelling? Part of the answer lies in their versatility. Each is a formidable soloist, an accomplished bandleader and a sought-after collaborator in improvising ensembles. For Earscratcher, Austrian pianist Elisabeth Harnik joins forces with three longtime stalwarts of the Chicago scene: saxophonist Dave Rempis, cellist Fred Lonberg-Holm and drummer Tim Daisy. The Chicago contingent first forged their bond in the trailblazing Vandermark 5 and have since collaborated across ...

3
Radio & Podcasts

Chronojazz, Evan Marien, Commodore, Mr Motaba, Anika Nilles, Igor Wilcox

Read "Chronojazz, Evan Marien, Commodore, Mr Motaba, Anika Nilles, Igor Wilcox" reviewed by Len Davis


We kick off with Allan Holdsworth inspired fusion from Chronjazz, featuring Ross Ian Lardner, Ollie Usiskin and Jimmy Haslip. Evan Marien x Dana Hawkins return with a sleek new single, while Bob Frye teams up with Uzoma for a soulful groove. From Argentina, Commodore drop their long-awaited release, and Brazil's Mr. Motaba blend jazz, fusion, and Brazilian rhythms. German drummer Anika Nilles brings tight, funk-infused fusion, and Japanese pianist Ai Kuwabara delivers cool, modern jazz alongside bassist Yusuke Morita. Brazilian ...

9
Multiple Reviews

Two Great Composers From Decades Apart

Read "Two Great Composers From Decades Apart" reviewed by John Eyles


Although the Another Timbre label was originally set up in 2007 to release recordings of improvised music--its very first release was The Contest of Pleasures by John Butcher, Axel Dorner and Xavier Charles--it did not take long for it to be releasing recordings of modern compositions... The label's tenth release, Lost Daylight, was played by John Tilbury on piano and comprised five compositions by Terry Jennings and one by the late John Cage. It was not long until the label ...

16
Live Review

Nik Bärtsch’s Ronin with Sumie Kaneko at MIT

Read "Nik Bärtsch’s Ronin with Sumie Kaneko at MIT" reviewed by Tyran Grillo


Nik Bärtsch's Ronin with Sumie Kaneko Thomas Tull Concert HallMassachusetts Institute of TechnologyBoston, MAOctober 4, 2025 At the close of a week-long residency at MIT--where Swiss pianist Nik Bärtsch served as both muse and subject to a group of “freaky scientists," as he affectionately called them--something extraordinary came to fruition. The program had seen Bärtsch immersed in neurological studies, AI-driven musical experiments and a collaborative workshop between his band Ronin and the university's own ...

13
Live Review

Nels Cline Consentrik Quartet at Littlefield

Read "Nels Cline Consentrik Quartet at Littlefield" reviewed by Max Kutner


Nels Cline Consentrik Quartet Littlefield Brooklyn, NY October 1, 2025 Nels Cline's Consentrik Quartet returned to the stage to make a rare Brooklyn appearance at Littlefield. The formidable ensemble also included saxophonist Ingrid Laubrock, bassist Chris Lightcap and drummer Tom Rainey. One of the most striking aspects of the group is how smoothly Cline's relatively wet, heavily effects-laden aesthetic fluidly integrates with the bone dry timbres of Laubrock, Lightcap and Rainey. If Cline's role in ...

10
Album Review

Stefano Rielli: So Far

Read "So Far" reviewed by Neil Duggan


The aptly titled album So Far marks the debut of the Italian bassist Stefano Rielli, who leads a quartet inspired by Jimmy Smith's electric organ sound. Beyond his classical foundation, Rielli graduated in jazz double bass from the Parma Conservatory in 2015 before earning a master's degree in electric bass from the Matera Conservatory in 2017. The album features six covers alongside one original composition. Three of the arrangements pay homage to Kurt Elling, another of Rielli's primary ...

9
Album Review

Nadav Remez: Summit

Read "Summit" reviewed by Carl Medsker


Israeli-born guitarist Nadav Remez has been accruing the compositions on Summit for 20 years, sharpening them in live performances until hitting critical mass. The program, comprised of Remez originals along with rearranged traditional songs, blends jazz, indie rock and Jewish folk music into a fresh and energetic experience. The melodies are memorable, the meters and harmonies artfully varied and the playing passionate. Remez's roots extend back to the Thelma Yellin High School for the Arts, which has produced ...


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