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415
Album Review

Al Orkestra: Where Are We Now?

Read "Where Are We Now?" reviewed by John Kelman


Sometimes the best music comes from the most unexpected places. British ex-pat Joe Higham has been living in Belgium for 20 years--first studying, now teaching and gigging with a cadre of undervalued Belgian players. Plenty of artists cite a collection of influences, but this saxophonist/clarinetist and his Al Orkestra concoct a truly wonderful mélange, with touchstones ranging from progressive rock and the British Canterbury scene, to the trippy jazz of Sun Ra and the freer tendencies of the late Elton ...

318
Album Review

Peter Hertmans 4tet: Cadences

Read "Cadences" reviewed by Gina Vodegel


Discovering a 'new' artist or a musician unknown is always a treat. Guitarist Peter Hertmans from Belgium is one who won't disappoint, even though his music may not have reached as many listeners as it deserves. Yet the music on Cadences is the result of two years of playing with his quartet, as Hertmans explains on the back cover of the CD.

Daniel Stokart (soprano sax), Theo de Jong (bass) and Lionel Beuvens (drums), according to Hertmans, are stimulating musicians ...

114
Album Review

Olivier Collette: De l'Aube au Crepuscule

Read "De l'Aube au Crepuscule" reviewed by Michael P. Gladstone


De l'Aube au Crepuscule is a most thoroughly Belgian release, with all liner note information in French, so I can't provide you with any background on the musicians or compositions. However, previous mental conditioning is linking “Crepescule" with “Nellie" (Thelonious Monk, 1946) and advising me that this record is worthy of your attention.

Pianist Olivier Collette is the composer and arranger of these thirteen songs. His ten piece combo is augmented with strings on a few tracks. The ...


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