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Album Review

Alex Sipiagin: Horizons

Read "Horizons" reviewed by Nicholas F. Mondello

by Nicholas F. Mondello

Trumpeter Alex Sipiagin has always been a deeply devoted musical explorer. From early bop origins to more modern forays, he has ventured far and wide, developing both improvisationally and compositionally. With Horizons this fine artist continues his path, delivering--along with frequent sidekick Chris Potter and a superior rhythm section--yet another breakthrough album. It is possibly Sipiagin's most explorative and best ever. “While You Weren't Looking," one of two selections gifted to the album by Pat Metheny, launches ...

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Album Review

John Escreet: The Epicenter Of Your Dreams

Read "The Epicenter Of Your Dreams" reviewed by Mark Corroto

by Mark Corroto

There is that image from one of Sergio Leone's spaghetti Western films where three gunfighters stand in the dusty town center, guns drawn, waiting for someone to flinch. That depiction of the Old West is somewhat appropriate as the UK-born pianist, John Escreet, who was based in New York for nearly a decade, moved to Los Angeles. He traded his NY trio of John Hébert and Tyshawn Sorey for the L.A. gunfighters bassist Eric Revis and drummer Damion Reid. The ...

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1

Album Review

Victor Gould: In Our Time

Read "In Our Time" reviewed by Mike Jurkovic

by Mike Jurkovic

Over the course of his first endearing works, 2016's stunning, NPR Debut Of The Year Clockwork (New Fresh Sounds), Earthlings (Criss Cross, 2018) and the lush Thoughts Become Things (Criss Cross, 2019), pianist/composer Victor Gould has exhibited a relaxed romanticism, an unerring lilt to his music. A warm empathy that draws you into the joyful, reflective and quiet moments abounding on In Our Time. As the sum and advocate of his influences, young Gould not only has a ...

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3

Album Review

John Escreet: Learn To Live

Read "Learn To Live" reviewed by Friedrich Kunzmann

by Friedrich Kunzmann

Take some sweet melodies from Jeff Lynn's ELO, add Keith Emerson on synth and think of an underlying rumbling towards more experimental sound collages, rooted somewhere between the electronic approach of Brian Eno and Miles Davis' early organic-fusion extravaganzas and you'll end up with... well, let's be honest, it still won't sound anything like what keyboardist / composer John Escreet has to offer on Learn to Live . While one preferably shan't judge a book by its cover, his first ...

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1

Album Review

John Escreet: Learn To Live

Read "Learn To Live" reviewed by Mike Jurkovic

by Mike Jurkovic

From the light, airy smoothness of “Opening," through the nomadic, polyrhythmic, suite “Broken Justice (Kalief)" (which brings to contemporary life Weather Report's axiom: “Everyone solos but no-one solos") to the poppy, practically Stevie Wonder-ish “Lady T's Vibe," keyboardist/composer John Escreet's fusion proves to be a many-headed, sinewy hybrid. All are brought to the forefront on Learn To Live. Employing a host of new and old keyboards, and a band of like-minded originals, trumpeter Nicholas Payton, drummers Eric Harland ...

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