Jazz Articles
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Socrates Garcia Latin Jazz Orchestra: Shadows of Tomorrow
by Jack Bowers
Do not let the word “Latin" in front of the Socrates Garcia Jazz Orchestra's name sway you. Shadows of Tomorrow is bright and spirited contemporary jazz albeit with a southerly twist. The salute to Latin America is for the most part rhythmic; everything else leans resolutely toward el norte, and the orchestra (which is actually based in Colorado, where Garcia teaches at the University of Northern Colorado) lends its considerable weight and savvy to every one of the leader's half-dozen ...
Continue ReadingPete McGuinness: Mixed Bag
by Pierre Giroux
With Mixed Bag, Pete McGuinness once again affirms his place among the elite of modern big band composers and arrangers, presenting a luminous tapestry of jazz idioms that ranges from the exuberantly traditional to the adventurously modern. As the title suggests, the album is a delightful potpourri. However, rather than feeling scattered or unfocused, McGuinness weaves his eclectic inclinations into a coherent and emotionally engaging statement. He brings to bear not only the encyclopedic command of a seasoned jazz craftsman ...
Continue ReadingMarina Pacowski: New Jazz Standards, Volume 7
by Jack Bowers
To those who know--really know--their breathtaking jazz trumpeters, Carl Saunders was definitely in a class by himself. Simply put, there was nothing Saunders could not do on the horn, from nailing seemingly insurmountable high notes to creating intricate and mind- blowing solos, all the while making it seem so effortless that many listeners thought he must have found and harnessed a secret weapon of which others were unaware. What many of his admirers did not know was ...
Continue ReadingThe Pete McGuinness Jazz Orchestra: Mixed Bag
by Jack Bowers
Award-winning arranger Pete McGuinness has chosen to name the fourth recording by his stellar New York-based Jazz Orchestra Mixed Bag, a term whose meaning may be construed as positive or less so, depending on the context. As he explains in the album's liner notes, McGuinness accentuates the positive, writing that to him, “Variety has always been the spice of life. I don't like the feeling of being pigeon-holed into a certain bag...For this project...I've included many 'bags' that I love ...
Continue ReadingRex Richardson: Elegy
by Ken Hohman
Grief is often complex and multi-faceted. How we cope with it reflects as much about those we have lost as it does about ourselves. This is a reality that trumpet master Rex Richardson knows all too well, having lost his father in 2023. Elegy is Richardson's poignant tribute to his father, yet the eight songs offer a variety of personal tributes that explore the complexity of living through bereavement in unexpected ways with moods both somber and bright. ...
Continue ReadingJohn Fedchock: Justifiably J.J.
by Jack Bowers
Among jazz trombonists with a sense of history, the name J.J. Johnson is spoken with an admiration that borders on reverence. Johnson was a pacesetter, a creative and articulate slideman and improviser who, either alone or with sometime partner Kai Winding, held the keys to the trombone kingdom from the early 1940s until his retirement more than half a century later. In the early '40s, Johnson brought the trombone--long associated with swing and Dixieland bands--forward into the bop world of ...
Continue ReadingJohn Fedchock: Justifiably J.J.
by Pierre Giroux
The accomplished trombonist John Fedchock has released Justifiably J.J., a heartfelt tribute to one of the most innovative figures in jazz, trombonist J.J. Johnson on the occasion of his centennial. Recorded live at The Jazz Kitchen, Indianapolis, Indiana, on March 3, 2024 (Johnson's hometown), Fedchock was accompanied by three top players: pianist Steve Allee, bassist Jeremy Allen and drummer Sean Dobbins. The session features eight swinging compositions written by or associated with Johnson, but instead of attempting to reinvent or ...
Continue ReadingJohn Fedchock: Justifiably J.J.
by Dan McClenaghan
J.J. Johnson saved his instrument from possible obscurity. Rarely used as a front-line instrument pre-Johnson, the trombone might have faded away when bebop came along. Bebop--all those rapid-fire notes from trumpeter Dizzy Gillespie and alto saxophonist Charlie Parker. At that time, the trombone was considered too cumbersome to navigate the chord changes and the rhythmic fury of the new music. J.J. Johnson proved otherwise, starting with several recording dates for Prestige and Savoy Records from 1946 to 1949.
Continue ReadingChris Mondak: Blank With Colour
by Richard J Salvucci
Chris Mondak is a fine, NEC-trained bassist who works in a variety of genres. But this recording really has him in a secondary role, as part of the rhythm section of what must be a version of his working band. The band is good; funky from soft to shout, turn up the volume. Dan Hitchcock's lead sax voice is strong throughout, and Jack Macklin and Gabe Feldman work very well with him. The rhythm section is terrific and provides the ...
Continue ReadingThe Stan Kenton Legacy Orchestra: The Stage Door Still Swings (And Movies Too)
by Nicholas F. Mondello
Since around 2001, noted trumpeter Mike Vax has periodically assembled an extraordinarily talented group of former members of the Stan Kenton's, Maynard Ferguson's and other elite bands and led that crew on short performance tours (and clinics) around various sections of the United States. While an alum group and not a “ghost band," their repertoire is heavily dominated by material made famous by the Kenton Orchestra. This 15 selection compilation is sourced from highlight performances during that near quarter century ...
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