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3
Album Review

Piero Bittolo Bon: Spelunker

Read "Spelunker" reviewed by Hrayr Attarian


The Italian saxophonist Piero Bittolo Bon is a veritable one-person orchestra. On his 12th release, Spelunker (his fourth solo outing), he augments the sound of his alto saxophone and adds bass flute and electronics to his instrumentation. Thus, over two long improvisations and a shorter excerpt, he creates poignant and cinematic soundscapes that move and stimulate. “Game/Elan" opens with resonant alto and electronic percussion and can easily be a soundtrack for a dystopian steampunk film. The eerie sounds ...

3
Album Review

Bryan Murray & Jon Lundbom: Beats by Balto! Vol. 2

Read "Beats by Balto! Vol. 2" reviewed by Mark Corroto


Spinning Beats by Balto Vol. 2 in the midst of a global pandemic brings to mind a quote from Zack de la Rocha: “Fear is your only god on the radio." The Rage Against The Machine frontman is begging you to turn off your radio, but somehow you just can't turn off Balto!'s beats. The brain-child of guitarist Jon Lundbom and Bryan Murray (Bryan And The Haggards, Big Five Chord), the spine-tingling essence of this music confirms what ...

2
Album Review

Brian Shankar Adler: Fourth Dimension

Read "Fourth Dimension" reviewed by Troy Dostert


A percussionist with fierce rhythmic dynamism and a multiplicity of ideas, Brian Shankar Adler has steadily assembled a formidable body of work over the last several years, despite being relatively under-recognized. Much of this music has been released incrementally, through digitally downloaded EPs, perhaps attenuating its impact. But Adler should receive much more visibility with Fourth Dimension, a full-length album that pulls together the best of his work since 2015, and it offers a strong portrait of one of the ...

41
Album Review

Eyal Maoz - Asaf Sirkis: The Lie Detectors Part III - Secret Unit

Read "The Lie Detectors Part III - Secret Unit" reviewed by Glenn Astarita


New York-based guitarist Eyal Maoz (John Zorn, Lou Reed) and London-based drummer Asaf Sirkis (Markus Reuter, Mark Wingfield) are childhood friends, hailing from Rehovot, Israel. Although each musician is quite busy via numerous projects on a global scale, they've managed to produce three duo albums. On Part III, the musicians seemingly operate with the force of a supercharged V8 engine. Maoz has aligned with composer, producer and saxophonist John Zorn's radical Jewish culture underpinnings, namely on Tzadik Records ...

87
Album Review

Welf Dorr Unit: Blood

Read "Blood" reviewed by Glenn Astarita


NY-based, German saxophonist Welf Door pilots this exciting multinational quartet through hardcore jazz fusion, funk, and detours into the solar system via these impressive pieces, often executed with tenacity and forthright intentions. Essentially, the band packs a massive punch as they grind out a diverse track mix with plenty of flare-ups, embellished with progressive jazz lines and blistering improvisations. The band gets right to the point on the opener “Sympathicus," featuring Dave Ross' scorching electric guitar licks along ...

8
Album Review

Meg Okura: NPO Trio - Live at the Stone

Read "NPO Trio - Live at the Stone" reviewed by Troy Dostert


Recorded during her week-long residency at The Stone, New York, in 2016, on NPO Trio--Live at the Stone violinist Meg Okura and her colleagues, pianist Jean-Michel Pilc and soprano saxophonist Sam Newsome, produce a captivating hour-long set of music. Newsome and Pilc have performed with Okura's Pan-Asian Chamber Jazz Ensemble, and the two worked together on their 2017 duo release Magic Circle. Due to their substantial shared experience, the three musicians have an instantly-apparent rapport, with a synthetic vision that ...

11
Album Review

Jessica Lurie: Long Haul

Read "Long Haul" reviewed by Paul Rauch


Jessica Lurie's new aptly titled release Long Haul (Chant, 2017) is a statement not of an arduous journey of endurance, but of her devotion to craft over three decades that has seen her carve out a musical identity of great diversity and depth. Her career personifies her experience as a strong woman instrumentalist, composer and vocalist in a male dominated genre, steeped in joyous interpretive revelation. While citing influences ranging from Klezmer, to Cuban, to jazz, Lurie's music is her ...


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