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4
Album Review

Carmen Staaf: Sounding Line

Read "Sounding Line" reviewed by Dan McClenaghan


Thelonious Monk (1917 -1982) was often grouped with the bebop pianists of the late 1940s and early 1950s. But he was not bop. He was a pianistic world unto itself. Quirky, dissonant, often playful. Mary Lou Williams (1910 -1981) did not fit the bop category either. She came in before bop's advent. Her music was stylistically closer to Duke Ellington's eloquence, sass and swing. Bop aside, pianist Carmen Staaf heard a musical kinship between these two 20th-century contemporaries. ...

7
Album Review

Mike Clark: Standard Deviations

Read "Standard Deviations" reviewed by Scott Gudell


The goal of Mike and Mike--as in Mike Clark on drums and Mike Zilber on saxophone--the co-leaders on Standard Deviations--was to take eight jazz and pop standards (with one Zilber original) and reinterpret them by adding their 21th century interpretation to them (with the help of Jon Davis on piano and Alex Claffy on bass). Over the course of nearly an hour, the success ratio of the quartet is high. Clark first appeared on record in the 1970s, ...

11
Album Review

Anat Fort: The Dreamworld of Paul Motian

Read "The Dreamworld of Paul Motian" reviewed by Dan McClenaghan


Borrowing a sentiment from the title of the 1959 Riverside Records album Everybody Digs Bill Evans, it is safe to say that pianist Anat Fort digs Paul Motian. Her The Dreamworld of Paul Motian says so. We can attribute a big part of Motian's career success to pianist Bill Evans (1929 -1980). Portrait In Jazz (Riverside, 1960) was the first Evans album that included Motian in the drummer's chair. More followed, including the groundbreaking Sunday At the Village ...

14
Album Review

Anat Fort: The Dreamworld of Paul Motian

Read "The Dreamworld of Paul Motian" reviewed by Kyle Simpler


Other performers inspire every musician to some extent, but for Anat Fort, the influence of drummer Paul Motian altered her approach to performing and thinking about music. Although Motian passed away in 2011, his presence remains a motivating force in Fort's work. With The Dreamworld of Paul Motian, she pays homage not just to the man but to the mystery, lyricism, and true spirit of his music. Motian elevated the role of drumming in modern jazz. ...

2
Album Review

Catina DeLuna & Otmaro Ruíz: Lado B Brazilian Project 2

Read "Lado B Brazilian Project 2" reviewed by Pierre Giroux


Catina DeLuna and Otmaro Ruíz have once again teamed up to explore the rich tapestry of Brazilian music in Lado B Brazilian Project 2. As a follow-up to their earlier exploration of this repertoire, this album sees the duo delve even deeper into Brazil's lyrical and melodic treasures, producing results that are both innovative and rooted in tradition. They have assembled a stellar band to perform Ruíz's arrangements, including two carry-overs from their first edition: guitarist Larry Koonse and bassist ...

7
Album Review

Catina DeLuna & Otmaro Ruíz: Lado B Brazilian Project 2

Read "Lado B Brazilian Project 2" reviewed by Katchie Cartwright


In a time of disembodied digital-only releases, luxuriously well-crafted albums like Catina DeLuna and Otmaro Ruiz's Lado B Brazilian Project 2, with physical disk, album notes, lyric translations and evocative graphics, can really be the balm. The project was born in 2015 with the release of Lado B Brazilian Project (Self Produced), which received a Grammy nomination in 2016. The idea was to interpret what we might call Great Brazilian Songbook--classics by Antonio Carlos Jobim, Chico Buarque, Dorival ...

9
Album Review

Mike Clark: Standard Deviations

Read "Standard Deviations" reviewed by Paul Rauch


Bringing new life to jazz standards is a longtime tradition in jazz, whether it be on the bandstand or in the studio. With their latest Sunnyside recording, Standard Deviations, the iconic drummer Mike Clark and Los Angeles-based tenor saxophonist Michael Zilber venture there once again, following Mike Drop, their 2021 Sunnyside release. The result is a swinging session of jazz pearls in quartet mode, with pianist Joe Davis and bassist Alex Claffey joining in the fun. Clark, for ...

10
Album Review

Denny Zeitlin: With a Song In My Heart: Exploring The Music of Richard Rodgers

Read "With a Song In My Heart: Exploring The Music of Richard Rodgers" reviewed by Dan McClenaghan


Musical memories from childhood have a way of sticking. For some, it might be an encounter with Beethoven from a dusty stack of old albums packed away in the parental record collection. For others, it might be the (then, 1954) modern surge of Bill Haley and the Comets shaking, rattling and rolling into the kitchen to make some noise with the pots and pans. Or maybe a chance discovery of 78 RPM records in the garage containing Al Dexter's 1942 ...

8
Album Review

Denny Zeitlin: With a Song In My Heart: Exploring The Music of Richard Rodgers

Read "With a Song In My Heart: Exploring The Music of Richard Rodgers" reviewed by Pierre Giroux


Richard Rodgers' melodic genius has long been a favoured playground for jazz musicians, but few reimagine his work with the intellectual depth and intuitive poetry of pianist Denny Zeitlin. On With A Song In My Heart, Zeitlin offers a riveting solo piano exploration of eleven Rodgers classics, combining architectural reharmonization, rhythmic invention and unflinching emotional insight. This is not mere homage; it is a deeply personal conversation with one of the 20th century's great composers. The ...

4
Album Review

Helio Alves: Samba Of Sorts

Read "Samba Of Sorts" reviewed by Kyle Simpler


It is not uncommon for people in the United States to discuss the British Invasion of the 1960s, when groups like The Beatles, The Rolling Stones, and The Yardbirds became staples of American radio. But alongside this, another invasion was becoming part of the American music scene: bossa nova. “The Girl from Ipanema" (Verve 1964) topped the charts, and seemingly overnight, the sixties exuded the Latin vibe. While bossa nova echoed the sixties spirit, it was far from a passing ...


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