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Reeds and Deeds: Cookin'
by C. Andrew Hovan
Chances are that if you're reading these notes right now you're more than a bit familiar with the talents of tenor saxophonists Eric Alexander and Grant Stewart and might even have picked up Wailin' (Criss 1258), their first effort together leading a quintet billed as Reeds and Deeds. As such, it would probably be redundant to go into detailed biographical sketches of each of these men. Suffice it to say that Alexander just might be one of the most recorded ...
read moreJoel Weiskopf: New Beginning
by C. Andrew Hovan
For better or worse, it seems that any artistic endeavor that involves the true expression of raw human experience and emotion is destined to have appeal to only a small and select audience. This dilemma becomes even more daunting for the artist in today's technology-laden society where electronic communication has taken the place of face-to-face conversation. Where the musician or painter seeks to express himself by exposing passion in its natural form, so many in today's society function at a ...
read moreTim Warfield: One For Shirley
by C. Andrew Hovan
Jimmy Smith and Larry Young have continually set the benchmark for creative endeavors involving jazz and the Hammond B-3 organ, Smith being acknowledged for bringing the technical virtuosity of be-bop to the instrument and Young for expanding the vernacular based on the forward-thinking implications of John Coltrane. Somewhere in between these two, a colorful range of styles proliferated throughout the '50s and '60s, from the cocktail jazz of Milt Buckner to the soulful grooves of “Big" John Patton. But it ...
read moreJohn Swana: Philly Gumbo Vol.2
by C. Andrew Hovan
It seems like a lot of up and coming trumpeters these days go for the bop stylings of Freddie Hubbard and Woody Shaw as their main influence. Far fewer look to players like Art Farmer or Kenny Wheeler for inspiration. That's what has made watching the development of Philadelphia trumpet man John Swana so fascinating over the years. While he has the chops needed to communicate in the high-octane language of be-bop, his tone and use of space suggest that ...
read moreJohn Swana: Philly Gumbo
by C. Andrew Hovan
It seems like a case of the big fish swimming in a small pond. So while Philadelphia native John Swana currently chooses to make his home in the city of Brotherly Love, it's clearly evident that this world-class musician could succeed easily in the Big Apple, the undisputed center of jazz activity in America. Taking up the trumpet at the age of 11, Swana was hooked on jazz after one spin of a Dizzy Gillespie record. Lucky enough to get ...
read moreOne For All: Blueslike
by C. Andrew Hovan
As the timeworn adage goes, sometimes the best things come from situations where one is asked to function in less than ideal circumstances. When you have little time to analyze things and go with pure instincts, there's an air of veracity and spontaneity to the results that is seldom arrived at by any other means. Although the hard bop collective One For Allhas forged a shared identity through regular gigs and a growing catalog of recordings for several labels, including ...
read moreOne For All: Live at Smoke Vol.1
by C. Andrew Hovan
Aside from the musical fireworks that make the enclosed sides noteworthy, there are additional factors that mark Live at Smoke as a major event. For one thing, this “on location" recording is one of the rare live dates to grace the Criss Cross catalog. Furthermore, it serves as a perfect summation up to this point of One For All's musical fortunes as heard in the same venue that fostered the ensemble's very formation. Back in the mid-'80s, drummer Joe Farnsworth, ...
read moreJoe Magnarelli: Hoop Dreams
by C. Andrew Hovan
As Duke Ellington would often remind us, music comes in two varieties, that which is good and that which is bad. This suggests that genre and category are really of little concern and that overall quality is really the defining factor in considering the validity of any musical expression. Taking this axiom one step further, let me suggest that good music comes in assorted varieties. On one end of the spectrum you have music brimming with complex structures and technical ...
read moreBrian Lynch: Con Clave Vol.2
by C. Andrew Hovan
The jazz musician's road to success and sustainability is a rocky one, marked with more than its share of ups and downs. Becoming the norm as of late, those with the strongest staying power have increased their flexibility by becoming more diverse in their efforts. The affect is thus twofold-providing an income to pay the rent, as well as honing a well-rounded perspective of the music. Of course, trumpeter and educator Brian Lynch began the journey down this path many ...
read moreLage Lund: Idlewild
by C. Andrew Hovan
An open and revealing format for any artist, the jazz trio offers rewards on many levels. Left in veracious hands, there is a spacious pocket that can be filled by any number of rhythmic and harmonic ideas, not to mention a freedom in melodic phrases which don't have to be constrained by strict chordal structures. On the other hand, it is the mere vulnerability of the format that can challenge all but the most seasoned musicians. With its ...
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