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Album Review

Jim Brenan 11: 50 / 50

Read "50 / 50" reviewed by Jack Bowers


A popular jazz magazine once had (and perhaps still has) a list of CDs in most issues labeled “beyond category." 50 / 50, the debut (?) recording by Canadian saxophonist / composer Jim Brenan's eleven-piece ensemble, would fit quite comfortably therein. It is as hard to ascertain Brenan's frames of reference as it is to unravel his game plan. That's not to say the music on offer isn't ambitious or interesting, as that is certainly not the case. The melodies ...

7
Album Review

Earl MacDonald: Open Borders

Read "Open Borders" reviewed by Jack Bowers


Open Borders brings to the fore Canadian-born pianist Earl MacDonald's burnished tentet in a program that consists of eleven sunlit and swinging themes, five of which were composed by the leader. Besides writing, MacDonald did most of the arranging, and he excels in both arenas, as he does on piano (most notably on the standards “Blame It On My Youth" and “East of the Sun" as well as on Percy Mayfield's R&B classic “Hit the Road Jack" and his own ...

4
Album Review

Earl MacDonald: Open Borders

Read "Open Borders" reviewed by Mike Jurkovic


Not many piano led ensembles finds the pianist laying as far back in the musical dialogue as Earl MacDonald, who doesn't come anywhere near an extended solo until “Miles Apart" and Percy Mayfield's Ray Charles blow- out “Hit The Road Jack" (tracks five and six respectively). But that's just fine given that MacDonald has charted the conversations and man oh man, do these arrangements crackle with spirit.From the high-flying “Dig In Buddy" to the exhilarating Latin flavors “Dolphy ...

4
Album Review

Earl MacDonald: Open Borders

Read "Open Borders" reviewed by Dan Bilawsky


Politicians might do well to take a few pointers from pianist-arranger Earl MacDonald. As this fine album attests to, it's far better to build bridges than walls, and far more productive to open borders and dialogue than close hearts, minds, and doors. While MacDonald didn't initially set out to make a political statement with this recording, both the events of the day and the make-up of the marvelously tight dectet that brings this music to life got ...

8
Album Review

Jerrold Dubyk Quintet: Invitations

Read "Invitations" reviewed by Bruce Lindsay


Jerrold Dubyk helpfully defines the title of his third album, Invitations, as “an often formal request to be present or participate." Pedantic jazz fans (and there are many) might wish to point out that the definition refers to the singular, while the title is plural. The less pedantic might simply wish to shake their heads, reflect that there are far more important things to worry about and get on with enjoying the music--for there is much music to enjoy.

10
Album Review

Jerrold Dubyk Quintet: Invitations

Read "Invitations" reviewed by Edward Blanco


Canadian saxophonist Jerrold Dubyk delivers his third album as leader on Invitations , where he blends an array of fresh original music with a few cover tunes in forging an audacious musical experience of modern-styled jazz. An educator by profession, Dubyk is the Director of Music at Strathcona High school as well as serving on the faculties of Macewan University and the University of Alberta. However, recording has been keeping the educator busy as he also unveils an album of ...

4
Album Review

Earl MacDonald and the Creative Opportunity Workshop: Mirror of the Mind

Read "Mirror of the Mind" reviewed by Bruce Lindsay


Death Defying Records, it says on the cover. A doom-laden title for a record label but any expectations of a frenzy of black metal or gangster rap are soon dispelled by the beautiful cello and piano interplay on the opening bars of the title track. Mirror Of The Mind, from pianist Earl MacDonald and the Creative Opportunity Workshop, is an album that surprises and delights--from the unusual piano, cello, sax and percussion line-up to the mix of styles and inspirations ...

2
Album Review

Earl MacDonald and the Creative Opportunity Workshop: Mirror of the Mind

Read "Mirror of the Mind" reviewed by Edward Blanco


Not satisfied with the traditional jazz spectrum, pianist and educator Earl MacDonald explores new ways of expressing his progressive taste and with Mirror of the Mind deciding to challenge the boundaries of jazz with a unique instrumentation and sound forged by his new band, Creative Opportunity Workshop. As Director of Jazz Studies at the University of Connecticut and former director of Maynard Ferguson's Big Bop Nouveau Band, MacDonald has had plenty of experience in the large ensemble circuit and with ...

174
Album Review

Earl MacDonald: Re:Visions

Read "Re:Visions" reviewed by Woodrow Wilkins


In a period when many new recordings feature trios, quartets or other small ensembles, it's refreshing when a full-size orchestra comes along. Pianist, composer and arranger Earl MacDonald offers that refreshment with Re:Visions--Works for Jazz Orchestra. MacDonald is a native of Winnipeg, Canada and director of jazz studies at the University of Connecticut. A winner of several awards, MacDonald spent two years as musical director, pianist and arranger for the Maynard Ferguson Big Bop Nouveau Band. He composed ...

210
Album Review

Earl MacDonald: Re: Visions

Read "Re: Visions" reviewed by Edward Blanco


There are far too few big band albums being recorded these days, so it is with great appreciation that the music of professor Earl MacDonald finds its way to the studio for lovers of the genre to enjoy. Harnessing the talents of a 17-piece, world-class orchestra, MacDonald--a composer/arranger/pianist and director of Jazz Studies at the University of Connecticut--manages to produce a scintillating frame of big band orchestrations on Re: Visions. No stranger to the big band arena, MacDonald is an ...


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