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Jazz Articles about Adi Meyerson
New Faces: New Sounds
by Dan Bilawsky
While established forces typically radiate clout and currency, it's the new faces, beaming with hope and the promise for what's to come, that tend to shine brightest. Posi-Tone Records, not surprisingly, supports that line of thinking. Promoting emerging artists has long been a mission for the label, which prides itself on seeking out and nurturing burgeoning talent, and this aptly named project, launched with one group of individuals on 2018's Straight Forward and carried to tremendous heights with different personnel ...
read moreIntroducing Bassist Adi Meyerson
by Sanford Josephson
This article first appeared in Jersey Jazz Magazine. As a teenager in Israel, Adi Meyerson played the electric bass and was “into fusion and rock, listening to Jaco (Pastorius) and stuff. I was about 17, and I think it was a family friend who gave me a bunch of Sonny Rollins albums. I kinda listened to them and was like, 'What's that? How do I get the bass to sound like that?'" The albums were two ...
read moreAdi Meyerson, Lee "Scratch" Perry, Giovanni Falzone, Vinícius Cantuária & New Releases
by Ludovico Granvassu
Variety is the spice of jazz, and there's plenty to be found here, from Adi Meyerson's compelling project inspired by Japanese visual artist Yayoi Kusama, to the cinematic music of Slowly Rolling Camera and WiFi CaBel, to the doom jazz of Lee “Scratch" Perry's Guide to the Universe and the touching tribute to Tomasz Stanko by Giovanni Falzone and Glauco Venier.Happy listening!PlaylistBen Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Adi Meyerson “Kabocha" ...
read moreNew Faces: New Sounds
by David A. Orthmann
What to listen for in a recording curated by a veteran producer that features a group of young, up-and-coming musicians with skillsets rooted in the bop, hard bop and modal continuum? When the styles are familiar, it's best to start with the material. If the tunes routinely sound like they're made of parts lifted from the classic and near classic jazz repertoire, it sets a negative tone for the rest of the record, sometimes even offsetting the strength of the ...
read moreNew Faces: New Sounds
by Kyle Simpler
It's refreshing to see younger artists gaining recognition in jazz circles. The energy and performances of such players often adds a sense of vitality to the music, and Posi-Tone Records has been at the forefront of bringing many of these emerging artists to the mainstream. In 2017, for example, Marc Free, the owner and producer of Posi-Tone, assembled a group of young musicians to showcase on the album New Faces: Straight Forward. This turned out to be a successful venture, ...
read moreA Conversation With Adi Meyerson
by Lorens Chuno
On her new album, Where We Stand, bassist and composer, Adi Meyerson presents a classic yet personal interpretation of her original compositions. This albums features Adi Meyerson on bass; Camila Meza on voice and guitar; Joel Frahm on tenor & soprano saxophone; Freddie Hendrix on trumpet; Mike King on piano; and Kush Abadey on drums. Join me and Adi as we talk about the album, Nina Simone, rice and beans, Israel, and other unrelated but musical themes.
read moreAdi Meyerson: Where We Stand
by Jerome Wilson
Adi Meyerson is a young bassist and composer living in New York City. She shows a healthy respect for jazz tradition on her debut CD but also shows the ability to play around with more open-ended musical forms. Most of the tracks have the feel of a hard-blowing '60s jazz combo with Joel Frahm's tenor sax and Freddie Hendrix's trumpet swooping and punching in unison over lively rhythm playing before soaring into their individual solos. “Eunice" has a ...
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