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Jazz Articles about John Hart

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Album Review

South Florida Jazz Orchestra: Cheap Thrills: The Music Of Rick Margitza

Read "Cheap Thrills: The Music Of Rick Margitza" reviewed by Jack Bowers


In 2019, the acclaimed Michigan-bred, Paris-based tenor saxophonist Rick Margitza thought he was being asked to contribute a couple of charts to the University of South Florida Jazz Orchestra's fifth recording in its fifteen-year history as a working ensemble. But when SFJO founder and leader Chuck Bergeron looked at the charts he had an even better idea, and asked Margitza to write and / or arrange everything on the album, which thus became Cheap Thrills: The Music of Rick Margitza. ...

1
Album Review

South Florida Jazz Orchestra: Cheap Thrills: The Music Of Rick Margitza

Read "Cheap Thrills: The Music Of Rick Margitza" reviewed by Pierre Giroux


The concept of a large, tightly-knit big band in a recording studio, on a concert or jazz club stage may just be a plug-in memory in today's environment. Fortunately there is the fifteenth anniversary recording of The South Florida Jazz Orchestra directed by bassist/bandleader Chuck Bergeron, entitled Cheap Thrills: The Music Of Rick Margitza, to remind us what a disciplined inventive big band sounds like. With the exception of George and Ira Gershwin's “Embraceable You," all the other ...

17
Album Review

John Hart: Act Three

Read "Act Three" reviewed by Edward Blanco


Guitarist John Hart has long had an affinity for working with groups that feature the organ as a primary instrument. Having worked with Jimmy Smith and logged a 16-year tenure with organist Jack McDuff, the guitarist now presents Act Three, yet another project with another organ master, this time New York-based keyboardist Gary Versace on the Hammond B3 organ. Versace is one of the most in-demand musicians on the jazz scene today. Rounding out Hart's new band ...

5
Album Review

John Sneider: The Scrapper

Read "The Scrapper" reviewed by Jack Bowers


If you expected a trumpeter whose nickname is “Scrapper" to come out swinging on his first album as leader in twenty years, give yourself a gold star and a hearty pat on the back. That is precisely the modus operandi on The Scrapper, wherein New York-based John Sneider leads a first-rate quintet through its paces on what in many respects seems like a homecoming, as everyone save tenor saxophonist Joel Frahm was present and accounted for on Sneider's earlier recording ...

3
Album Review

Hart, Scone & Albin: Leading The British Invasion

Read "Leading The British Invasion" reviewed by Dan McClenaghan


The Hammond organ trio called Hart, Scone & Albin open up Leading the British Invasion by biting into “Rehab," from the songbook of the late British vocalist, Amy Winehouse. The tune--already dripping soul in its original edition--drips some, with the trio's muscular and propulsive approach. The British Invasion the trio addresses throughout the set isn't the one that began in the early 60s, with The Beatles and The Rolling Stones, and Gerry and the Pacemakers and The Dave ...

1
Album Review

Hart, Scone & Albin: Leading The British Invasion

Read "Leading The British Invasion" reviewed by Dan Bilawsky


The British are coming, the British are coming! No, not the Redcoats with rifles or tide-shifting rock royalty like The Beatles, The Rolling Stones, and the like. This time, it's the might and music of the English songstress that's landing stateside. With Leading The British Invasion, this smart and stinging organ trio salutes a number of notable ladies from across the pond. Fifty years worth of history is covered here, as everybody from Dusty Springfield to Adele ...

3
Live Review

John Hart at The Turning Point Cafe

Read "John Hart at The Turning Point Cafe" reviewed by David A. Orthmann


John Hart The Turning Point Cafe Jazz at The Turning Point Cafe Piermont, NY April 24, 2017 In the midst of a second week of suffering from a particularly virulent strain of the flu, John Richmond should be taking it easy. Moving in a sluggish manner, avoiding close contact with musicians and patrons alike, offering arm bumps instead of handshakes, and acting uncharacteristically subdued, he's nonetheless determined to host and play tenor saxophone throughout ...


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