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Jazz Articles about Evan Christopher
About Evan Christopher
Instrument: Clarinet
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by Jack Bowers
As trumpeter Jon-Erik Kellso and his EarRegulars had been performing every Sunday night for more than sixteen years at New York City's historic Ear Inn, Kellso reasoned it was time that one of their concerts should be recorded to share more broadly the fun and enthusiasm that animates every session. Once the ties had been bound, parts of two concerts were recorded, on January 15 and 29, 2023. The music is a hybrid, with one foot planted ...
read moreKathy Ingraham: Everlasting Cool
by Richard J Salvucci
If you have a lovely mezzo-soprano voice, lots of chops, a feel for selling a song, a talent for storytelling, and some sense of why tradition is what it is, you end up with Kathy Ingraham. Ms. Ingraham is also not afraid of the big no-no, singing standards (and, lo and behold, their verses too), although she has been known to write her own material too. Whatever the case, she is a treat to listen to and, with a nonpareil ...
read moreYohan Giaume: Whisper of a Shadow
by Jim Worsley
Collaborations are quite common projects in the jazz world, and in most forms of music, for that matter. Collaborations, however, are slightly more rare when a modern day composer's album is in conjunction with a composer from the nineteenth century. Such is the case with the works of Louis Moreau Gottschalk (1829-1869) melding with composer and trumpeter Yohan Giaume. Giaume has had a deep connection, both musically and intellectually, with Gottschalk for many years. Gottschalk's world travels, influences, and notable ...
read moreCindy Scott: Historia
by C. Michael Bailey
Stating the obvious right off, vocalist Cindy Scott is from New Orleans. This fact thoroughly and three-dimensionally informs the twelve selections on Historia, Scott's follow-up to Let The Devil Take Tomorrow (Catahoula Records, 2009), without making a burden of it. In subtle and not-so-subtle ways, the aural aroma of the Crescent City appears like an essence, that hyperdistillation that leaves neither finger nor footprint but exists as an indelible mark on the music readily recognised. This mark is made audible ...
read moreEvan Christopher: The Remembering Song
by Dan Bilawsky
All roads lead to New Orleans for clarinetist Evan Christopher. Christopher left sunny California in the mid-'90s and arrived in NOLA, ready to absorb from--and contribute to--the rich musical environs that only the Crescent City could claim. His initial stay lasted two years, but the city drew him back again in 2001. After Hurricane Katrina came to wreak havoc a few years later, Christopher--like many other musicians from the region--was a man without a home. He spent some time traveling ...
read moreEvan Christopher's Django a la Creole: Finesse
by Raul d'Gama Rose
The epithet “flawless technique" does not even begin to describe Evan Christopher's manner of playing, perhaps, the most challenging reed instrument: the clarinet. His polished intonation is marked by the perfect annunciation of the notes that gush forth from his clarinet sometimes at great speed. His rhythmic attack is so full of surprise, especially when he injects elements of Brazilian and other Latin American colorings into the long, loping lines he plays. He has a spiritual connection with Django Reinhardt ...
read moreEvan Christopher: Django a la Creole
by Gina Vodegel
For clarinetist Evan Christopher, Django a la Creole is the result of a forced journey from his home in New Orleans. In what might be seen as a positive aftermath of the Katrina disaster in 2005, Christopher temporarily relocated to Paris, focusing his actions on raising awareness for the musical culture that had put New Orleans on the map rather than that of Katrina. His “Django a la Creole" project debuted in August 2007 with concerts in Great Britain and ...
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