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Joe Santa Maria: Echo Deep
by Alberto Bazzurro
Un solido jazz per middle band (peraltro di tiro spesso molto big), con infiltrazioni easy, è quanto ci arriva da questo album, molto compatto e sostanzialmente corale, del polistrumentista e compositore texano Joe Santa Maria, che ha diviso la sua attività musicale, ormai piuttosto corposa, fra Houston, Boston, New York e Los Angeles. Nella musica che si ascolta in questa quarantina scarsa di minuti, come accennato, prevale largamente la mano dell'autore rispetto a quello che potrebbe essere ...
read moreJoe Santa Maria: Echo Deep
by Glenn Astarita
In the liner notes, L.A.-based multi-woodwind specialist Joe Santa Maria, known for his contributions to Vinnie Golia ensembles, Django Django, and Kim Richmond and others, reveals that this project took nearly a decade to complete, shaped by his extensive travels and dedicated studies. Notably, he emphasizes the cyclical, trance-like essence embedded within these compositions. The prolonged wait proves worthwhile as Santa Maria's fusion of worldly influences, rooted in his jazz expertise, culminates in an outstanding album poised to grace numerous ...
read moreDavid Whitman: Ode To Joe
by Jack Bowers
While West Coast drummer David Whitman's Ode to Joe [Henderson] is a rather brief one at less than thirty-three minutes, it is otherwise admirable for what is enclosed within its concise parameters. Whitman leads a well-schooled septet whose makeup is freshened by rotating tenor saxophonists Bob Sheppard and Rob Lockart and guitarists Bruce Forman and Chris Montgomery. Whitman and trumpeter Andrew Neesley share composer credits, and Neesley handles the arrangements, awakening warm memories of the Golden Age ...
read moreDavid Whitman: Ode To Joe
by Richard J Salvucci
Dipping into this fine recording is, to mix metaphors a bit, like opening a time capsule. That capsule is called One For All (A&M, 1990), perhaps the final studio recording of Art Blakey with The Jazz Messengers. It was not a perfect outing, but it was a memorable one. The lines got into the head and stayed there, just waiting for a chance to be reawakened. Well, now is the time with Ode to Joe. A convenient link between the ...
read moreBernie Dresel: The Pugilist
by C. Michael Bailey
Jack Bowers, All About Jazz's large ensemble authority, previously considered this entire recording, The Pugilist, remarking that ..."if swing is your thing, you've come to the right place, as that is what Dresel and his elite group of sun-baked sidemen (and two women) do best and most often." One of the elements that ensures “swing" is the attentive and informed arrangement of these often sprawling pieces. Dr. Jack Cooper is known for his insightful and creative arrangements of percussion-driven music. ...
read moreThe BBB Featuring Bernie Dresel: The Pugilist
by Jack Bowers
No, drummer Bernie Dresel hasn't taken a day gig at the Los Angeles-area Better Business Bureau; the BBB in front of his name stands for Bernie's Big Band or Bernin' Big Band or Bernie's Bernin' Band or something like that. It's really hard to say, as the band's full name isn't spelled out anywhere, even on Dresel's web site or Wikipedia. Be that as it may, the important point to keep in mind is that the BBB comes out swingin' ...
read moreStaci Griesbach: My George Jones Songbook
by William H. Snyder
Some might question why write an All About Jazz review of an album featuring songs made popular by George Jones? Duke Ellington had the answer when he said, “There are simply two kinds of music, good music and the other kind ... the only yardstick by which the result should be judged is simply that of how it sounds. If it sounds good it's successful; if it doesn't it has failed." Staci Griesbach and her colleagues have made good music ...
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