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Jazz Articles about Gary Bartz

4
Album Review

Gary Bartz & NTU: Damage Control

Read "Damage Control" reviewed by Pierre Giroux


After a 12-year break from the recording studio, legendary saxophonist Gary Bartz makes a powerful return with Damage Control. This deeply personal passion project honors and re-imagines the soul genre. The album showcases Bartz's unwavering curiosity and artistic evolution, transforming soulful classics into meditative, jazz-infused compositions that cross genre boundaries. At the heart of the album's unity is Bartz's core trio, featuring pianist Barney McAll and drummer Kassa Overall. This trio is often joined by a lineup of exceptional musicians ...

5
Interview

Gary Bartz Is Nobody's Jazz Musician

Read "Gary Bartz Is Nobody's Jazz Musician" reviewed by Bridget A. Arnwine


Gary Bartz is nobody's jazz musician. What he has built and created as an artist with a career that spans six decades defies labels, especially ones that have storied racist connotations and otherwise derogatory origins like the word jazz. He is a composer of the finest order and as gifted as the most revered names in classical music. Defining his work as improvised music is too simple a term to fully capture the essence of what Bartz and “jazz" musicians ...

1
Radio & Podcasts

Gary Bartz, Zoh Amba, Greg Tardy and Oscar Rossignoli

Read "Gary Bartz, Zoh Amba, Greg Tardy and Oscar Rossignoli" reviewed by Hobart Taylor


New music from Gary Bartz, Zoh Amba, Oscar Rossignoli and Allison Miller. Playlist Gary Bartz “In Search of my Heart-Love Surrounds Us" from Damage Control (OYO) 00:00 Zoh Amba “ Seaside" from Sun (Smalltownsounds) 10:08 Host Speaks 17:02 Allison Miller “Fierce" from Big and Lovely (Royal Potato Family) 18:35 George Burton Alexa Barchini “Your Skin/White Noise" from White Noise (Porge) 26:07 Oscar Rossignoli “Levitations, Pt. I" from Levitations (Self-Produced) 32:38 Host Speaks 44:30 Adrian Younge Samantha Schmütz “Quando ...

1
Live Review

Gary Bartz Quintet at Jazz Alley

Read "Gary Bartz Quintet at Jazz Alley" reviewed by Paul Rauch


Gary Bartz Quintet Jazz Alley Seattle, WA April 29, 2025 As an alto saxophonist, NEA Jazz Master Gary Bartz has merged freedom and form in historic fashion, in the process acquiring an understanding of the art of improvisation, or what Bartz refers to as “informal composition," in a unique and enlightened way. His vital expressionism has traveled from hard bop to Latin, to fusion in a seamless progression that has enabled a boundless ...

3
Radio & Podcasts

Gary Bartz, Sun Ra, Meshell Ndegeocello and More

Read "Gary Bartz, Sun Ra, Meshell Ndegeocello and More" reviewed by Jerome Wilson


This show gets into both the celestial and the funky with artists such as Gary Bartz, Sun Ra, Oliver Nelson, Itamar Borochov, and Meshell Ndegeocello. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Sun Ra “Rocket Number Nine Take Off For The Planet Venus" from Visits Planet Earth/Interstellar Low Ways (Evidence) 00:53 Kathrine Windfeld “Safe and Sorrow" from Determination (Prophone) 7:05 ...

5
The Vinyl Post

Blackstone Legacy

Read "Blackstone Legacy" reviewed by C. Andrew Hovan


When trumpeter Woody Shaw passed away in 1989, he left behind a wealth of amazing music, notwithstanding the realized sadness inherent in wondering what more he could have accomplished had he lived a longer life. Back in the mid '60s, Shaw was ubiquitous as a sideman recording iconic albums with the likes of Larry Young, Horace Silver, Chick Corea, Art Blakey, and McCoy Tyner. Despite common misconceptions, Shaw led his first date as a leader in December of 1965, which ...

8
Album Review

Funkwrench Blues: Soundtrack For A Film Without Pictures

Read "Soundtrack For A Film Without Pictures" reviewed by Chris May


Once upon a time it was hard to walk into an arthouse cinema without bumping into a jazz soundtrack. Miles Davis' for Louis Malle's Ascenseur Pour L'échafaud (1958), Charles Mingus' for John Cassavetes' Shadows (1959), Krzysztof Komeda's for Roman Polanski's Knife In The Water (1962) were among a legion of similarly inclined endeavours. But all that was a long time ago in a galaxy far, far away. In the 2020s, if you want to hear a freshly ...


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