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Jazz Articles about Clifton Anderson

24
Album Review

Eric Wyatt: A Song of Hope

Read "A Song of Hope" reviewed by Jack Bowers


On A Song of Hope, his second album for Whaling City Sound, saxophonist Eric Wyatt offers more than hope; he offers assurance that contemporary jazz is alive and well in and around his home base of Brooklyn, NY. Wyatt, the godson of another rather well-known saxophonist, Sonny Rollins, performs in groups of various sizes, from quartet to octet, with vocals by Samara Joy on two numbers, “Fragile" and Wyatt's “Say Her Name." The almost-constants are pianist Donald Vega, bassist Eric ...

1
Radio & Podcasts

Clifton Anderson, Reggie Quinerly & Allan Harris

Read "Clifton Anderson, Reggie Quinerly & Allan Harris" reviewed by Joe Dimino


We devote a full hour of Neon Jazz to the music and artists of 2021. A lot of music was backlogged from 2020, but it was time to take a long look at the artists who are making 2021 a special year for jazz. We start off with NYC trombonist Clifton Anderson and make our way down an impressive list of musicians including Florian Arbenz, Reggie Quinerly, Alan Harris and Henry Robinett. Enjoy the jazz, my friends. Playlist ...

9
Interview

Clifton Anderson: Knowing the Road

Read "Clifton Anderson: Knowing the Road" reviewed by Barbara Ina Frenz


New York trombonist Clifton Anderson has mastered his instrument from the 1970s on in jazz programs of his home town outside the conservatory (which he also attended), that were initiated by leading spirits of the music such as Barry Harris, Sam Rivers, and Reggie Workman; these informal, professional jazz circles gave him information, insights and inspiration that the academic world couldn't provide in those days. Equally important for his development as a trombonist was his constant collaboration with musical giants ...

630
Interview

Clifton Anderson: Leading The Way

Read "Clifton Anderson: Leading The Way" reviewed by Mikayla Gilbreath


Not since the heyday of Glenn Miller and Tommy Dorsey has the trombone enjoyed widespread acceptance as a band leader's instrument. With only a few exceptions, the last half century has seen trombonists slide from favor as leaders and become more commonly viewed as sidemen. Even genuinely notable artists like J.J. Johnson, Frank Rosolino, Bill Watrous and Slide Hampton never really gained the fame and notoriety afforded their predecessors of the 1930s and '40s. Some believe the trombone's ...

1,245
Interview

Clifton Anderson: Legacy

Read "Clifton Anderson: Legacy" reviewed by Maxwell Chandler


Clifton Anderson has been on a lifelong journey of artistic evolution. From his start as a child surrounded by a musical family, to formal education mixed with the practical experience of live gigs, Clifton's odyssey is ever-unfolding. Whether playing as a long-standing member of his uncle Sonny Rollins' band, helping to run the Doxy label or leading sessions with his own band, Clifton's life is always happily connected to music.

Chapter Index Early Years And Inspirations Tennis Versus ...

234
Album Review

Clifton Anderson: Decade

Read "Decade" reviewed by Ken Dryden


Clifton Anderson has spent almost a quarter-century playing trombone in Sonny Rollins' band, rarely leading his own groups. Decade is Anderson's second release as a leader, utilizing a variety of musicians in different combinations (several of whom are Rollins alumni or sidemen): pianists Larry Willis and Stephen Scott, bassists Bob Cranshaw and Christian McBride, drummers Al Foster and Steve Jordan, saxophonists Kenny Garrett and Eric Wyatt, plus percussionist Kimati Dinizulu. On his own, Anderson has a better chance to showcase ...

222
Album Review

Clifton Anderson: Decade

Read "Decade" reviewed by Paolo Arduini


Best-known for playing and producing with his famous uncle Sonny Rollins (who gave him his first trombone when he was only seven), trombonist Clifton Anderson is back with Decade, his second album as a leader.

A little more than a decade has, in fact, passed since his first effort. All good things to those who wait, as this new collection of standards and originals is a clear improvement over Landmarks (Milestone, 1996).

The lineup features other ...


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