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Jazz Articles about Alex LoRe
About Alex LoRe
Instrument: Saxophone, alto
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by Maurizio Zerbo
Attraverso questo CD, gli appassionati italiani di jazz potranno conoscere e apprezzare Alex LoRe, uno dei più talentuosi sassofonisti emergenti dell'area newyorkese. Ispirato ai grandi modelli della grande tradizione jazzistica degli anni Sessanta, Evening Will Find Itself propone una musica ben costruita, interpretata col giusto pathos. Armonicamente e ritmicamente complesse, le dieci tracce del CD ed in particolare l'evocativo “Face Unseen" attualizzano la sontuosa lezione shorteriana, facendo leva sulle fantasiose doti improvvisative del quartetto. Oltre al ...
read moreMarta Sanchez: SAAM (Spanish American Art Museum)
by Alberto Bazzurro
La giovane pianista madrilena Marta Sanchez, ormai da tempo di stanza a New York, dirige in questo suo nuovo lavoro, inciso nel marzo 2021, un agguerrito quintetto con doppio sax che in un brano, “Marivi," si allarga a ottetto con l'ingresso di tromba (e che tromba: Ambrose Akinmusire), voce/chitarra e synth, dando sempre la precisa impressione di riuscire a dire ciò che sta nelle sue attuali corde. Il dialogo--l'interscambio--è per lo più fitto, vitale, ma sempre dall'alto ...
read moreKind Folk: Head Towards The Center
by Jerome Wilson
Kind Folk is a quartet consisting of trumpeter John Raymond, alto saxophonist Alex LoRe, bassist Noam Wiesenberg and drummer Colin Stranahan. They recorded their first album in 2018, then went their separate ways for various reasons. They finally reconnected in June 2021 and came up with the simmering blend of jazz, rock and folk sensibilities that makes up this album. Generally, there is a subdued but close-knit feel to this music. Tracks such as “Mantrois" and “Around, Forever" ...
read moreAlex Goodman: Impressions in Blue and Red
by Angelo Leonardi
Con questo splendido doppio album, Alex Goodman esce dal limbo dei talentosi chitarristi emergenti per entrare a pieno titolo tra i solisti e compositori più interessanti del jazz contemporaneo. Era proprio ora. All'età di 34 anni, con sette dischi da leader e prestigiosi premi internazionali (tra cui la vittoria al Montreux International Jazz Guitar del 2014), il chitarrista e compositore canadese ottiene i meritati riconoscimenti della critica con un'opera particolarmente matura. Un concept album che vuol associare ...
read moreThe Seth Weaver Big Band: Truth
by Jack Bowers
Truth, the debut album by New York-based trombonist / vocalist Seth Weaver, has its ups and downs, most of which involve the leader himself. The “ups" enter the picture thanks to Weaver's five far-better-than-average compositions, the “downs" whenever he chooses to sing, as he does on three of eight numbers. Luckily, the pluses far outweigh the minuses, thanks in large measure to Weaver's admirable ensemble, a number of first-rate soloists and the above-mentioned compositions, which herald Weaver as a talented ...
read moreAlex Goodman: Impressions in Blue and Red
by Friedrich Kunzmann
One thing's for sure: there's a whole lot of music to be heard on Alex Goodman's new double album Impressions in Blue and Red. At 27 tracks and a running time of over 100 minutes, the Canadian jazz guitarist has taken a stand when it comes to quantity on his newest album. Any concern that the quality could suffer as a result is extinguished after the first few bars into the opener. Divided over two different sets according to the ...
read moreAlex Goodman: Impressions in Blue and Red
by Rob Shepherd
For most, there is a clear divide between musical and visual arts. But for individuals with chromesthesia, a condition where one sees colors when they hear a particular sound, the two can prove inseparable. Throughout history, many jazz musicians have exhibited chromesthesic symptoms, including Marian McPartland, James Francies, and drum legend Elvin Jones. Duke Ellington saw dark blue burlap when he played a D note and light blue satin for a G. Another, guitarist Alex Goodman, shares his experience on ...
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