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Jazz Articles about Hristo Vitchev

5
Album Review

Hristo Vitchev: Of Light and Shadows

Read "Of Light and Shadows" reviewed by Tyran Grillo


Guitarist Hristo Vitchev reconvenes his synergistic quartet with pianist Jasnam Daya Singh, bassist Dan Robbins and drummer Mike Shannon for a set of nine originals, each deeper than the last. It's the kind of session that happens perhaps once in a decade, where every detail dovetails into the next without the merest hint of force. The title track is a joyous opener, practicing what it preaches by virtue of its gradations. It exudes passionate musical ideas and exposition. ...

6
Jazz Journal

Winter 2018

Read "Winter 2018" reviewed by Doug Collette


Jazz Journal is a regular column consisting of pithy takes on recent jazz releases of note as well as spotlights on those titles in the genre that might otherwise go unnoticed under the cultural radar. Mark Wade Trio Moving Day Self-Produced 2018 Often ghostly in its ambiance, the music on Moving Day is always flawless in its execution. The Mark Wade Trio are seemingly further inspired with each successive moment in which ...

7
Album Review

Hristo Vitchev: Of Light and Shadows

Read "Of Light and Shadows" reviewed by Phillip Woolever


Vitchev's latest effort is another jewel in his growing catalogue of widespread genres. Given Vitchev's warmly ambitious range of projects, he may soon be able to center his own multi-themed festival. This presents his current, contemporary style quartet in an impressive showcase. The SF bay area group's core has played together in various ensembles for years, and their cohesive evolution is demonstrated throughout. Vitchev gives his band mates plenty of room to groove from the opening track on, ...

20
Catching Up With

Hristo Vitchev: Charting His Own Way

Read "Hristo Vitchev: Charting His Own Way" reviewed by David Becker


Hristo Vitchev isn't a typical guitar hero. Supremely fluent with his instrument, the prolific composer and performer would rather communicate than show off complex technique. His albums and concerts are full of gorgeously understated performances that leave just the right amount of room for the musicians to support each other and the audience to fill in the blanks. Maybe it was inevitable that Vitchev would take an idiosyncratic approach to jazz, given the twisted route he took to ...

26
Album Review

Hristo Vitchev Quartet: In Search of Wonders

Read "In Search of Wonders" reviewed by Mark Sullivan


Bulgarian-born San Franciscan jazz guitarist/composer Hristo Vitchev leads an experienced quartet on this double-CD collection of attractive modern jazz. This is his seventh release as a leader, and the third with this quartet (allowing for a change in the drum chair), following Familiar Fields (First Orbit Sounds Music, 2013) and Song For Messsambria (First Orbit Sounds Music, 2009). His influences are eclectic, but the chamber jazz sound of tracks like the piano solo “Stay (Prelude)" and the guitar/piano duet “We ...

10
Album Review

Hristo Vitchev Quartet: In Search of Wonders

Read "In Search of Wonders" reviewed by Edward Blanco


Marking his seventh project as a leader, internationally-renowned impressionistic guitarist Hristo Vitchev presents In Search of Wonders, his first double album of original world-tinged modern jazz delivered in the same creatively unique style this guitarist, is known for. One thing remains the same, the music is intellectual, soul-searching, harmonically-rich and thoroughly enchanting. With a double album containing a total of fifteen new pieces, Vitchev offers plenty more of wonders to sample than he has in the past. Performing ...

5
Album Review

Hristo Vitchev Quartet: In Search of Wonders

Read "In Search of Wonders" reviewed by Roger Farbey


With six previous albums already to his name, guitarist Hristo Vitchev has now released a double album of his own compositions, benefitting from the inclusion of three exceptionally talented musicians constituting his quartet. Vitchev's dextrously lithe playing is evident from the start on the (initially) pastoral opener “The Transitory Nature," recalling the styles and fluidity of John Abercrombie and Bill Frisell. After a short tranquil piano-led opening statement “It May Backfire," the longest track at nearly fourteen minutes, ...


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