Home » Jazz Articles » Denny Zeitlin

Jazz Articles about Denny Zeitlin

7
Album Review

Denny Zeitlin: Crazy Rhythm: Exploring George Gershwin

Read "Crazy Rhythm: Exploring George Gershwin" reviewed by Dan McClenaghan


Denny Zeitlin's jazz career began when he sat in as the featured pianist on flutist Jeremy Steig's Flute Fever (Columbia Records, 1964). He followed this up with his debut as a leader on Columbia Records' 1964 album Cathexis. While maintaining another successful career as a psychiatrist and college professor, he released more than a dozen albums over the next quarter century, most of them acoustic piano sets, plus a few experimental electronic outings, along with a groundbreaking electro/orchestral soundtrack to ...

6
Album Review

Denny Zeitlin & George Marsh: Telepathy: Duo Electro-Acoustic Improvisations

Read "Telepathy: Duo Electro-Acoustic Improvisations" reviewed by Dan McClenaghan


Pianist Denny Zeitlin's recording career began with his contribution to flutist Jeremy Steig's 1963 album Flute Fever (Columbia Records). Then Zeitlin struck out on his own, creating over five-plus decades worth of record releases on Columbia Records, Decca/ECM, Windham Hill, MaxJazz (and more) before shifting into overdrive when he connected with Sunnyside Records in 2009, on In Concert with Buster Williams and Matt Wilson. Since that 2009 debut with the label, the Sunnyside relationship has resulted in thirteen releases comprising ...

16
Album Review

Denny Zeitlin: Live at Mezzrow

Read "Live at Mezzrow" reviewed by Dan McClenaghan


Pianist Denny Zeitlin appeared on his first recording in 1963, flautist Jeremy Steigs' Flute Fever (Columbia Records). He was in his third year at Johns Hopkins Medical School at the time, on a path to dual careers in psychiatry and eventually the teaching of that profession—vocations he continues with to this day. Add a third career, jazz pianist. And Denny Zeitlin doesn't dabble. His music is a third career, equal in personal importance to his more conventional occupations. ...

20
Album Review

Denny Zeitlin: Live at Mezzrow

Read "Live at Mezzrow" reviewed by Dan Bilawsky


Coming up on two decades of creative engagement and evolution, pianist Denny Zeitlin's group with bassist Buster Williams and drummer Matt Wilson remains one of the most bracing, sophisticated and creatively satisfying trios on the scene. In the best of times, a set like this, recorded live at Spike Wilner's New York piano room Mezzrow, can serve as a reminder of the virtues of camaraderie, depth of feeling, design strength and the art of living in the moment. Arriving at ...

4
Album Review

Denny Zeitlin: Remembering Miles

Read "Remembering Miles" reviewed by Dan McClenaghan


Pianist Denny Zeitlin, pushing hard ahead in an extraordinary recording career that began in 1963 with a sideman job on Jeremy Steig's Flute Fever (Columbia Records), has settled artistically, fifty years on, into a pair welcoming homes: Sunnyside Records, for whom he has recorded ten superb albums, beginning with 2009's In Concert Featuring Buster Williams and Matt Wilson, and Oakland, California's Piedmont Piano Company, where he has taken up residence in recent years to present solo piano recitals focusing on ...

9
Interview

Denny Zeitlin: Balancing Act

Read "Denny Zeitlin:  Balancing Act" reviewed by Ken Dryden


Denny Zeitlin is a true Renaissance man with many interests, in addition to balancing his careers in medicine and music. Although his medical practice and teaching have limited his abilities to tour beyond brief trips east or playing near his home in California, he has recorded regularly in recent years, releasing a variety of projects for Sunnyside. Well known for his composition “Quiet Now," which was recorded numerous times by Bill Evans, Denny remains a dedicated composer in his quest ...

4
Album Review

Denny Zeitlin: Wishing On The Moon

Read "Wishing On The Moon" reviewed by Dan McClenaghan


Pianist Denny Zeitlin claimed a spot as a top-tier jazz pianist at the very beginning of his recording career with a sideman slot on flutist Jeremy Steig's Flute Fever (Columbia, 1963), followed by his debut as a leader, Cathexis (Columbia, 1964). After three more excellent sets for Columbia, Zeitlin's career shifted into a smaller label mode, resulting in several high quality but under-recognized albums. Additionally, in 1978 he seized the opportunity to score the orchestral electro-acoustic avant-garde soundtrack to the ...


Engage

Contest Giveaways
Enter our latest contest giveaway sponsored by Musicians Performance Trust Fund
Polls & Surveys
Vote for your favorite musicians and participate in our brief surveys.

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.