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Album Review

Lina Allemano: The Diptychs

Read "The Diptychs" reviewed by Giuseppe Segala


Di origine canadese, la trombettista Lina Allemano distribuisce la propria attività artistica tra le scene di Toronto e Berlino, manifestando significative sfaccettature di un'attitudine che spazia con spregiudicato talento in vari ambiti della musica e dell'improvvisazione di oggi. Il quartetto protagonista di questo The Diptychs è la sua realizzazione più longeva e la più prolifica in termini di CD pubblicati. Il primo documento registrato dalla formazione, uscito come tutti i suoi lavori con l'etichetta autogestita Lumo Records, risale al 2006. ...

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Album Review

Lina Allemano Four: The Diptychs

Read "The Diptychs" reviewed by Mark Corroto


Lina Allemano Four's The Diptychs presents three pairs of compositions, inspired by the visual art concept of placing two panels side by side. Just as diptychs in painting create meaning through contrast and dialogue, Allemano's music fashions reciprocal, interdependent sound worlds within each pair. A restless and inventive presence, Allemano splits her time between Toronto and Berlin. Trained in both classical and jazz trumpet, she leads the electric power trio Ohrenschmaus, the pseudo-psychedelic improvising quartet Titanium Riot, and ...

5
Album Review

Lina Allemano Four: The Diptychs

Read "The Diptychs" reviewed by Troy Dostert


Maintaining its biennial release pattern going back to 2021's Vegetables (Lumo Records) and 2023's Pipe Dream (Lumo Records), The Lina Allemano Four once again strikes gold with The Diptychs, another of the group's ventures into its signature territory. With artful, multilayered themes that generate nuanced four-way dialogues, this is music born of the close collaboration that trumpeter Allemano has long championed, and her most accomplished working band is once again in top form. Built around six relatively compact ...

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Album Review

Dr. Purgatory: The Consumption: A Tragic Folkale in Six Parts

Read "The Consumption: A Tragic Folkale in Six Parts" reviewed by Dan McClenaghan


Guitarist David Riddel}, aka Dr. Purgatory mixes up the influences of Dutch guitarist Reinier Baas, Maurice Ravel and Bjork and more. &#147;Everything I compose is essentially influenced by her (Bjork's) 2001 album <em>Vespertine</em> (Elektra)," Riddel says. Under those influences, he has produced a futuristic, chamber jazz, {{m: Herbie Hancock-esque fantasy soundtrack of sorts with The Consumption: A Tragic Folk Tale In Six Parts. His septet, featuring his guitars, two reed players, a violin, piano, bass, and drums, makes ...

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Album Review

Carn Davidson 9: Reverence

Read "Reverence" reviewed by Jack Bowers


The Carn Davidson 9 is a Toronto, Canada-based nonet co-led by trombonist William Carn and saxophonist Tara Davidson whose fourth studio album, Reverence, encompasses a pair of four-part suites, one written by Carn, the other by Davidson. What is most interesting --over and above the depth and quality of the music--is that the suites are not performed sequentially but interspersed, with the first two of Davidson's themes followed by a pair of Carn originals before alternating on the remaining four ...

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Album Review

Lina Allemano Four: Pipe Dream

Read "Pipe Dream" reviewed by Troy Dostert


Recorded in the winter of 2021 during the heart of the COVID pandemic, it is understandable that Pipe Dream, the latest offering from the Lina Allemano Four, has an air of ominous foreboding. Indeed, much of the album is devoted to the “Plague Diaries," a suite inspired by some of the darker themes of that period (with song titles like “Hunger and Murder" and “Doom and Doomer" giving an indication of what is in store). But like all of Allemano's ...

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Album Review

Carn Davidson 9: The History of Us

Read "The History of Us" reviewed by Jack Bowers


From north of the U.S. border comes The History of Us, a warm-hearted album by the Carn Davidson 9, a Toronto-based nonet co-led by trombonist William Carn and saxophonist Tara Davidson. The album consists of a pair of three-part suites, one by Carn, the other by Davidson, separated by Carn's amiable composition, “Goodbye Old Friend," a fond salute to his late and dearly loved cat, Murphy. Carn's “Finding Home" suite, which leads things off, was inspired by ...


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