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Jazz Articles about Thomas Strønen

11
Album Review

John Surman: Words Unspoken

Read "Words Unspoken" reviewed by Joshua Weiner


Englishman John Surman has been one of jazz's most important reedmen since his debut album on the progressive Deram label in 1969. From the start, on classic albums such as John McLaughlin's Extrapolation, Surman displayed a unique voice on the baritone sax, soprano sax, and bass clarinet, sometimes adding electronics to the mix. Since his first appearance on Manfred Eicher's groundbreaking ECM label in 1976, Surman has forged an idiosyncratic path, releasing solo, duo, and quartet albums, transcultural collaborations (such ...

15
Album Review

John Surman: Words Unspoken

Read "Words Unspoken" reviewed by Mike Jurkovic


Hypnotic and many of its antonyms--stimulating, arousing, reviving--are old school hyperbole which very often separates the hack from the veteran of critical science. But sometimes those everyday words are exactly what need to be said to tell of music unlike everyday and most others. Words Unspoken is just that. Blowing free and unhindered since 1966, and standing shoulder-to-shoulder with Terje Rypdal, Archie Shepp, Bill Frisell and John McLaughlin, British multi-reedist John Surman needs no lengthy introduction. He just ...

7
Album Review

Sinikka Langeland: Wind And Sun

Read "Wind And Sun" reviewed by Scott Gudell


Pause. Trust your inner self to guide you. Prepare to avoid the constant bombardment of a multitude of society's mind and body piercing assults. If you're not sure where to start, Sinikka Langeland is willing to help guide you. A master of the kantele (a Nordic instrument with similarities to plucked string instruments such as a zither or dulcimer,) Langeland has released a dozen albums since the mid-1990s with Wind and Sun being the 2023 addition to her canon.

12
Album Review

Mats Eilertsen Trio & Trio Mediaeval: Memorabilia

Read "Memorabilia" reviewed by Friedrich Kunzmann


Talk of an album sounding highly reminiscent of something that could be released on Manfred Eicher's ECM label is quite common. But it does not come as a surprise anymore that much of today's music shares similar melancholic and minimalist contemporary leanings with the aesthetic found on the pioneering Munich-based label. However, this debut date, led between bassist Mats Eilertsen, his trio and Trio Mediaeval, screams ECM. Not only have both Eilertsen and the vocal trio recorded extensively with ECM, ...

64
Album Review

Yelena Eckemoff: Nocturnal Animals

Read "Nocturnal Animals" reviewed by Mark Sullivan


Pianist-composer Yelena Eckemoff is predictably unpredictable. After an early series of piano trio albums she worked with larger ensembles, culminating in the sextet (plus vocalists) of Better Than Gold And Silver (L&H, 2018). After cutting back to a duet with drummer Manu Katché on Colors (L&H, 2019) she returns with a larger band, but with a difference; this is a quartet with double bassist Arild Andersen (her longest collaborator), and drummer/percussionists Jon Christensen and Thomas Strønen. It may ...

101
Album Review

Yelena Eckemoff: Nocturnal Animals

Read "Nocturnal Animals" reviewed by Dan McClenaghan


"You're busy appearing or you're busy disappearing." Drummer-bandleader Art Blakey may have said that; if he didn't, he should have. Somebody had to express the importance of presenting your work, for getting it out there to an audience. This goes for virtually any artist in any medium. Double down on that for people who create jazz. Pianist Yelena Eckemoff rolls with the “busy appearing" concept. She is prolific; since her debut recording , Cold Sun (L & H, ...

Album Review

Thomas Strønen: Lucus

Read "Lucus" reviewed by Neri Pollastri


A due anni di distanza dall'omonimo disco, torna Time Is a Blid Guide, la singolare formazione del batterista norvegese Thomas Strønen. Rispetto a quel primo lavoro c'è qualche variazione nell'organico, frutto del lavoro fatto assieme dal vivo: mancano i due percussionisti che affiancavano la batteria del leader e al pianoforte ha preso posto la giapponese Ayumi Tanaka. Il risultato è da un lato un ulteriore passo verso le atmosfere cameristiche già avvicinate nel primo disco, dall'altro il marcato ...


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