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Jazz Articles about Dmitry Baevsky
About Dmitry Baevsky
Instrument: Saxophone, alto
Related Articles | Concerts | Albums | Photos | Similar ToDmitry Baevsky: Kids' Time
by David A. Orthmann
Dmitry Baevsky is a jazzman in his middle years, a period when many players consolidate youthful influences and put their stamp on the rarefied practices of the mid- to-late 20th century. The alto saxophonist has recorded for several labels, and travels widely as a leader and sideman; to his credit, he continues to give the impression of a work in progress. While Baevsky seldom strays very far from a specific set of stylistic parameters, namely bebop, he does not coast, ...
read moreDmitry Baevsky: Soundtrack
by David A. Orthmann
A collection of songs, some of which are likely to be included in aficionados' play lists; interpretations that don't stray very far off the beaten path; and a band of players who share a vision of how the material should be handled. It's the recipe for many recordings—past, present and future— within the mainstream of jazz. So, why does alto saxophonist Dmitry Baevsky's Soundtrack, an entry that readily fits this pattern, stand out from the crowd? In ...
read moreThe New York - Paris Reunion Quintet: Live at the Bird's Eye Jazz Club, Basel
by David A. Orthmann
Many of us dearly miss those life-affirming nights in jazz clubs when a band can do no wrong, blowing as if there's no tomorrow, and temporarily washing away the workaday realities of existence. The New York-Paris Reunion Quintet's Live at the Bird's Eye Jazz Club, Basel takes some of the yearning and emptiness out of waiting for the resumption of public performances. While there's no substitute for sitting a few feet away from the action, drink in hand, absorbing the ...
read moreDmitry Baevsky / Jeb Patton: We Two
by David A. Orthmann
Alto saxophonist Dmitry Baevsky and pianist Jeb Patton constitute a crackerjack, precision jazz instrument, stretching and bending the fundamentals of bebop into full-blown statements that render the absence of a bassist and drummer superfluous. The individual heroics that one expects of bop are in evidence, but it's the ways in which the duo maneuvers as a unit that really matters. Baevsky and Patton are middle-aged jazzmen with a wealth of experience working in bands, together and separately, all over the ...
read moreDmitry Baevsky: The Day After
by David A. Orthmann
Imagine a group that, in large measure, references the bebop revolution of nearly seventy-five years ago, yet steers clear of the pitfalls of nostalgia, hero worship, and blatant imitation, and ultimately wins the day with an adroit blend of teamwork and compelling individual voices. For those who believe that nothing good can come from contemporary players choosing to work an all-too-familiar vein of the jazz tradition, I suggest a visit with Dmitry Baevsky's band. Over the past several years, the ...
read moreDmitry Baevsky: Over and Out
by Hrayr Attarian
New York based saxophonist Dmitry Baevsky's fourth release as a leaderOver and Out finds the St Petersburg native in a spare setting backed only by bass and drums. With his alto's warm, organic tone in the spotlight, Baevsky interprets a mixture of his originals and standards with intense lyricism and confident and mature bravado. Baevsky endows pianist Cedar Walton's “Turquoise" with an eastern mysticism as his warm, languid saxophone meanders fantastically around the main theme. His clever improvisation ...
read moreDmitry Baevsky Quartet: New York, NY April 22, 2012
by David A. Orthmann
Dmitry Baevsky QuartetSmalls Jazz ClubNew York, NYApril 22, 2012Going out to hear live jazz is seldom as easy as finding a suitable place, plunking down some hard-earned cash, and then simply taking in the sounds. Befitting a music that once thrived in dance halls, sporting houses and other places where art for art's sake wasn't a priority, there are extra-musical distractions to be tolerated--such as food and drink being ordered, served and consumed; the tittering ...
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