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Jazz Articles about Adrian Belew

61
Extended Analysis

Heaven & Earth: Live and in the Studio 1997-2008

Read "Heaven & Earth: Live and in the Studio 1997-2008" reviewed by John Kelman


Yet another year, yet another characteristically detailed and chronologically contextualized King Crimson mega-box set. Except that 2019 is no typical year. And Heaven & Earth is no typical King Crimson box set. While Heaven & Earth: Live and in the Studio 1997-2008 completes (well, almost) the series of box sets documenting King Crimson's original commercial recordings (and so much more), it's far from the group's first (or only) release to go along with the current three-drummer ...

9
Live Review

Adrian Belew Power Trio at Ardmore Music Hall

Read "Adrian Belew Power Trio at Ardmore Music Hall" reviewed by Geno Thackara


The Adrian Belew Power Trio Ardmore Music Hall Ardmore, PA May 6, 2017 Like so much of life, music is really a work in progress that never stops changing. Adrian Belew has always been one to live by the idea rather than follow it--he's best known for an extended tenure in the always-inventive King Crimson, spins smart and often convoluted songs that still grab the ears effortlessly, and can wring sounds out of a guitar ...

3,082
Interview

Adrian Belew: Power Trios and Crimson Heads

Read "Adrian Belew: Power Trios and Crimson Heads" reviewed by Justin M. Smith


Since 1977, Adrian Belew has been a guitar and songwriting innovator in the cutting edge rock field. Spending time in bands with Frank Zappa, David Bowie and Talking Heads, he's also clocked serious studio time with other artists including Paul Simon, Nine Inch Nails, Tom Tom Club, Tori Amos and Herbie Hancock. He's fronted the various incarnations of perennial art rockers King Crimson since 1981, as well as putting together several of his own solo projects.Belew has continued ...

943
Extended Analysis

Park West, Chicago, Illinois August 7, 2008

Read "Park West, Chicago, Illinois August 7, 2008" reviewed by John Kelman


When it was announced, in late 2003, that touch guitarist Trey Gunn was leaving perennial art rockers King Crimson, to be replaced by returning bassist/stickman Tony Levin—a member of the group during its 1980s and 1990s runs—anticipation was high. Gunn's strength was as a virtuosic melodic foil for guitarists Robert Fripp and Adrian Belew as well as holding down the bottom end, but Levin has always been considered Crimson's ultimate groove-meister. When Porcupine Tree drummer Gavin Harrison was recruited in ...

345
Album Review

Adrian Belew: Side Three

Read "Side Three" reviewed by Glenn Astarita


Amid stints with King Crimson, guitar hero Adrian Belew has continued his solo career with his Side One and Side Two recordings, recently adding this final installment. Following suit in numerical title only, this set finds Belew grouping stylistic pieces that didn't fit into the motifs presented on the previous albums. Though much acclaimed for his work as an experimental guitar-slinger, the artist is also a strong vocalist and crafty multi-instrumentalist.

With the opening “Troubles," Belew incorporates twisted ...

781
Extended Analysis

The 21st Century Guide to King Crimson Volume Two: 1981-2003

Read "The 21st Century Guide to King Crimson Volume Two: 1981-2003" reviewed by John Kelman


While Robert Fripp—erstwhile leader and only remaining member of the group that literally shook the foundations of the rock world in 1969 with In the Court of the Crimson King (Discipline Global Mobile)— rankles at those who call the continually evolving band King Crimson a progressive rock band, what band better fits the term progressive? Merriam-Webster defines the word progressive as: “making use of or interested in new ideas, findings, or opportunities," and “moving forward or onward." ...


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