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Jazz Articles about Mickey Bass

293
Opinion

Fulfilling what has been lacking...

Read "Fulfilling what has been lacking..." reviewed by AAJ Staff


By Mickey Bass Jazz, as we once knew it, has become a thing of the past. For a lot of years clubs and promoters have been saying that this music is dead. My response to that statement is, “How can jazz be dead when its creators are still alive and well and creating?" In other words; if it ain't broke... we wish you wouldn'a fixed it... Years ago if you turned on the radio, within ...

336
Take Five With...

Take Five With Mickey Bass

Read "Take Five With Mickey Bass" reviewed by AAJ Staff


Meet Mickey Bass:Instrument(s): BassTeachers and/or influences? My first teacher, William Lewis, with whom I studied in Pittsburgh. The greatest influences on me, musically and compositionally speaking, have been John Coltrane, Duke Ellington, Charlie Parker, Maurice Ravel and Lili Boulangere.I knew I wanted to be a musician when... I was twelve years old, went to junior high school, and “took up" an instrument, which was the trumpet. This lasted about six months until in band ...

387
Album Review

Hank Mobley: Thinking of Home

Read "Thinking of Home" reviewed by Richton Guy Thomas


The great jazz critic Leonard Feather once described Hank Mobley as the middleweight champion of the tenor saxophone. Not a name that the novice jazz fan may recognize, Hank Mobley recorded over twenty LPs for Blue Note. Thinking of Home is his last title for Blue Note; released in 1970, this is a fitting farewell session. It features the powerful trumpet playing of Woody Shaw and the exciting pianist Cedar Walton. Hank Mobley's playing has a fire that ...

331
Album Review

Hank Mobley: Thinking of Home

Read "Thinking of Home" reviewed by Robert Gilbert


Hank Mobley’s conclusion to his long and storied association with Blue Note Records has finally made it to CD through the label’s Connoisseur series. Thinking of Home, which was recorded on the last day of July in 1970 but not made available until ten years later, shows that the tenor saxophonist was still building on his trademark hard-bop style. A three-part suite that opens the album features Mobley dabbling with long-form composition and “Justine” has him providing a stimulating framework ...


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