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Jazz Articles about Jordan VanHemert

17
Album Review

Jordan VanHemert: Nomad

Read "Nomad" reviewed by Jane Kozhevnikova


After his previous album, I Am Not A Virus (Big Round Records, 2021), inspired by the ongoing fight against racial prejudice, Jordan VanHemert releases Nomad, continuing to explore and embrace his Asian American identity. As the liner note says, this album is a celebration of Korean culture “through the melodies of both ancient & contemporary folk & children's songs, distilled through a modern jazz aesthetic." The opening tracks sound like a traditional saxophone trio similar to Sonny Rollins' ...

25
Album Review

Jordan VanHemert: Nomad

Read "Nomad" reviewed by Jack Bowers


Although his name offers no clue, saxophonist Jordan VanHemert's heritage is Korean. He salutes that legacy on Nomad, his second album as leader, with a pair of Korean folk songs and half a dozen comparatively modern themes written by Koreans or Korean Americans. Most are performed by VanHemert's trio: (Rodney Whitaker, bass; David Alvarez III, drums). Pianist Lisa Sung, guitarist Nathan Borton, bassist John Webber, drummer Max Colley III and vocalist Sharon Cho join VanHemert on the children's song “Half ...

7
Album Review

Jordan VanHemert: I Am Not A Virus

Read "I Am Not A Virus" reviewed by C. Andrew Hovan


It was bad enough that 2020 brought with it the scourge of a pandemic of proportions not seen in a hundred years. But add to that the ugliness of racial tensions and xenophobia and one would be hard pressed to grapple with the idea of much good coming from such adversity. Michigan educator and saxophonist Jordan VanHemert found himself at the mercy of endless lockdowns and the need for new ways to communicate with others much like everyone in the ...

4
Album Review

Jordan VanHemert: I Am Not A Virus

Read "I Am Not A Virus" reviewed by Robin B James


The craft is tight, the feeling is refreshing, the sound is quick and precise, and the gestalt brings the individual voices of the musicians into group form, taking turns soloing and working together, interpreting the now into the fabric of the groove. The album covers a full range of expressive energy. “The Path Ahead" (9:28) starts us off with pep and energy, a perfect tempo for forward motion, the next tracks move into crisp contemporary seasons and issues, including that ...


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