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Jazz Articles about Liany Mateo

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Rising Stars

Introducing Bassist Liany Mateo

Read "Introducing Bassist Liany Mateo" reviewed by Sanford Josephson


This article previously appeared in Jersey Jazz Magazine. Liany Mateo started playing the bass when she was 13 years old. “They opened up a performing arts school in Jersey City," she recalled. “At that time, I knew I wanted to play an instrument. I was into '70s punk music, and all of my favorite people in those bands were the (electric) bass players. I really liked the idea of being behind the scenes, having a job, and supporting ...

8
Album Review

Michael Dease: The Other Shoe: The Music of Gregg Hill

Read "The Other Shoe: The Music of Gregg Hill" reviewed by Jerome Wilson


Gregg Hill is a jazz composer favored by several jazz musicians who have recorded entire albums of his work, such as guitarist Randy Napoleon and bassist Rodney Whitaker. Here trombonist Michael Dease joins the party with a full album of Hill pieces arranged for a quintet. Hill's writing on this album delves into a wide array of conventional forms such as blues, ballads, and Latin jazz, but always with unique twists and ideas present. Some of his compositions ...

3
Liner Notes

Michael Dease: The Other Shoe: The Music of Gregg Hill

Read "Michael Dease: The Other Shoe: The Music of Gregg Hill" reviewed by AAJ Staff


"Think of any big city," Greg Hill says, introducing the narrative armature of his composition, “The Other Shoe," the denouement and title track of this stimulating collaboration with Michael Dease, who arranged each of Hill's 10 compositions contained herein. “It's 2 in the morning, you're still awake, and your neighbor comes in upstairs. You hear the first clunk when his shoe hits the floor. Then you wait. He may be inebriated. It may take a while to get the other ...

3
Album Review

Joseph Herbst: This is Our Environment

Read "This is Our Environment" reviewed by Josh Deakin


Joseph Herbst has released something truly original with This Is Our Environment. The record itself is a complex intertwining of jazz and spoken word that blends together for a beautiful product. The instrumentals keep the spoken word element alive and flowing throughout the record and offers a channel for Herbst to speak out on some important topics. The spoken word comes out as a slam poetry accompaniment to the coffeehouse instrumentals. The verses are powerful, often politically charged ...


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