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French Canadian alto saxophonist Francois Carrier has made a career out of being unpredictable. All' Alba, his latest CD, is yet another pleasant surprise. The surprise here, however, is not Carrier's melodic inventiveness, nor is it bassist Pierre Cote and drummer Michel Lambert's highly sympathetic vibrations. In this case, the surprise is the welcome addition of adventurous pianist Uri Caine to Carrier's usual lineup.
Carrier's alto is rough and sinewy, as always. His sheer brawn as a soloist belies the alto's lighter sound (it's interesting to compare Carrier to someone like Paul Desmond, in whose hands the alto sounds like a completely different instrument). Cote's sound is fat and round, resonating with Carrier's sandpaper tone. Lambert, as always, is exceptional on drums.
But it is American citizen Caine who is the real show here. He doesn't just support Carrier, he engages him. To listen to the two of them circle one another on tracks like "Lekh Leka" and "Karuna" is incredible. In Caine, Carrier has surely met his match. But, as Duke Ellington once noted of his Stride heroes, these two musicians respect one another too much to draw blood. This is a knock-down, drag-out musical melee in which everybody wins, especially the listener.
Track Listing: Karuna; Entrance 3; Lekh Leka; Enfants du Ciel; L'Etang; Don't Mind; Jeu; As Crazy As; All' Alba.
Personnel: Francois Carrier, alto saxophone; Uri Caine, piano; Pierre Cote, bass; Michel Lambert, drums.
Jazz is a continuing revelation. The best show I ever attended was the
Roots Picnic at Penn's Landing in Philadelphia, or was it Robert
Glasper's Experiment at Lincoln Center, or was it Chick Corea with
Brian Blade at Oberlin College? Most of all I enjoy playing guitar and
composing beats with my Brooklyn-based group Space Captain.