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Out of the Hub (feat. Suzanne Pittson)

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Bevan Manson

Label: Vineland
Released: 2025
Duration: 00:06:40
Views: 219

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Out of the Hub (feat. Suzanne Pittson)

Personnel

Additional Personnel / Information

Suzanne Pittson - voice, synthesizer (soloist); Bevan Manson - piano (soloist); Trey Henry - bass; Matt Gordy - drums; Wade Culbreath - timpani; Brad Dutz - antique cymbals, glockenspiel; Wayne Bergeron, Larry Hall, Gary Grant - trumpet; Bob McChesney - trombone; Brian O’Connor - french horn; Matt Zebley - alto saxophone (soloist); Bob Sheppard - tenor saxophone; Brian Scanlon - clarinet; Tom Boyd - oboe; Ben Wendel - bassoon; Ralph Morrison (concertmaster), Amy Hersberger, Eric Hosler, Susan Rishik, Neal Samples, Joel Pargman, Irina Voloshina - 1st violin; Alyssa Park, Margaret Wooten, Alwyn Wright, Raphael Rishik, Nancy Roth - 2nd violin; Pam Goldsmith, Vicky Miskcolczy, Carol Kleister-Castillo, Alan Busteed - Viola; Andrew Shulman, Maurice Grants, Armin Ksajikian - Cello; Don Ferrone, Sue Ranney - Bass; Robert Beasley - trumpet (soloist); Carla Kountoupes - violin (soloist); Jerry Weimer - clarinet; Alex Murzyn - tenor saxophone; Stefanie Przybylska - bassoon

Album Description

Bevan Manson OUT OF THE HUB (feat. Suzanne Pittson), Lyric version of “One of Another Kind” composed by Freddie Hubbard, lyrics by Evan Pittson, arrangement by Bevan Manson. OUT OF THE HUB is an adventurous arrangement for vocalist and jazz orchestra by pianist/composer Bevan Manson for his longtime creative collaborator vocalist. “Out of the Hub” is the lyric version of Freddie Hubbard’s “One of Another Kind,” originally recorded on Suzanne Pittson’s album Out of the Hub: The Music of Freddie Hubbard (2010). This suite of eclectic musical events unites classical and jazz musicians in Los Angeles, New Mexico and New York. “As a composer, I have always looked for intersections between jazz and classical,” Bevan says. “To me, the richness in both genres can fertilize the other in ways we are not always accustomed to, especially in terms of form and motivic development. In other words, telling a musical story can be enriched by combining elements from both. When classical players are involved in a jazz or studio orchestra recording, they are often just given backgrounds. My inclination is to write lines for them, which adds more color and linear possibilities for the ensemble.” “As a jazz musician, Bevan is deeply in the moment,” Suzanne says. “Working with Bevan has been such a joyful experience, and I’ve gained more confidence in my ability to be spontaneous as an improviser. Having a creative environment like this allowed me to deepen my own linear vocabulary in order to be fully engaged in each moment.”

Album uploaded by Evan Pittson