Mario Adnet and Philippe Baden Powell: Afro Samba Jazz, The Music of Baden Powell

Philippe and Adnet play with a light ensemble, using at least twelve players on each piece, with Adnet performing on eight and Powell sharing piano duties with Marcos Nimrichter. The music is diced with strong samba and bossa rhythms while incorporating elements of classical jazz—as in the spacious Powell/de Moraes composition "Lamento de Exu (Lament for Exu)," a light, gentle tune featuring a solo by Ricardo Silveira on electric guitar. "Alode (Mermaid's Lament)" is another bright piece without any obvious Brazilian flare, played in a traditional jazz style with two exquisite saxophone solos—one from tenorist Eduardo Nieves and the other by Teco Cardoso on baritone.

The album opens with a light upbeat samba, "Canto de Xango (Song for Xango)," followed by "Ritmo Afro (Afro Rhythm)," a composition co-written by Powells senior and junior with a sprawling arrangement by Adnet. Providing a taste of the Brazilian choro, "Caxanga de Oxala (Oxala's Game)" comes off lightly and uses the sounds of hands clapping. The samba flavor is strong on tunes like "Canto de Ossanha (Song for Ossanha)" and "Yansan Suite," which send the music into heavy Brazilian grooves spurred on by spicy vocals from Monica Salmaso.

While Adnet and other guitarists play admirably on record, it is a tad disappointing that the instrument is not more prominent on this tribute to a major guitarist. Nevertheless, Afrosambajazz is a thoroughly engaging slice of samba, bossa and other Brazilian flavors, and a fine re-imagining of one of Baden Powell's major works.

Comments