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This is one of the best albums made by the mellophonium band of Stan Kenton, which featured a complete section of mellophoniums (an instrument somewhere between a French horn and a flugelhorn), in addition to the usual components of trumpets, trombones, saxophones and rhythm. This may be the most swinging of all of Kenton's albums because the arrangements were done by Gene Roland, the most consistently swinging of all of the great arrangers who honed their talents writing for the Kenton juggernaut. Although the blues play a connection in most of the charts recorded here, the album could have been more accurately titled "Adventures in Riffs" since all of Roland's arrangements are riff-based tunes well within the Basie tradition.
In addition to being a great arranger, Roland was also an outstanding instrumentalist, and we get to hear him on this album soloing on both mellophonium and soprano sax. "Reuben's Blues," based on the old children's song "Reuben, Reuben," was a staple of the Kenton library for a number of years and this recording is the best version of that arrangement and features the haunting soprano sax of Roland. Marv Stamm is shown to great effect in several muted solos, none more engaging than that on "Blue Ghost," a piece dedicated to a mysterious woman who always showed up whenever the Kenton ensemble played in Ohio and who always wore a blue dress. Although not on this album, another chart from the Kenton library, "Design for Blue," had a similar dedication.
"Night at the Gold Nugget" is a medium tempo swing chart, and it's the most Basie-like of all the compositions ever recorded by Kenton. It is also unusual in that the saxophones actually use vibrato, something that was almost non-existent after the "Artistry in Rhythm" days of the 1940s. A real roof raiser is "Fitz," a work featuring the blazing trombone of Bob Fitzpatrick, one of a long line of Kenton virtuoso trombonists.
As bonus items in this CD reissue, Roland's "Ten Bars Ago" and Kenton's own "Lady Luck" also appear here. Neither tune is a major work, but they are interesting because they sound like two versions of the same composition. This points out the fact that not only was Stan Kenton a visionary bandleader, but an influential composer/arranger as well. Adventures in Blues is a great album and gives conslusive proof that when the music called for it, the Stan Kenton Orchestra could swing with the best of them.
Track Listing: Reuben's Blues; Dragonwyck; Blue Ghost; Exit Stage Left; Night at the Gold Nugget; Formula SK-32; Aphrodisia; Fitz; Blues Story; Night at the Gold Nugget (alternate take); Ten Bars Ago; Lady Luck
Personnel: Jerry Lestock McKenzie, drums; Bud Parker, trombone; Albert Pollan, tuba; Paul Renzi, tenor sax; Bob Rolfe, trumpet; Carl Saunders, mellophonium; Pat Senatore, bass; Dalton Smith, trumpet; Ray Starling, mellophonium; Dave Wheeler, trombone; Dick Hyde, trombone; Art Anton, drums; Ray Sikora, trombone; Bill Horan, mellophonium; Tom Wirtel, mellophonium; Steve Huffsteter, trumpet; Jack Spurlock, trombone; Buddy Arnold, tenor sax; Jim Amlotte, trombone; Norman Baltazar, trumpet; Dee Barton, trombone; Bob Behrendt, trumpet; Allan Beutler, baritone sax; Joe Burnett, mellophonium; Dwight Carver, mellophonium;
Pete Chivily, bass; Wayne Dunstan, baritone & bass saxes; Bob Fitzpatrick, trombone; Joel Kaye, bass sax; Bobby Knight, trombone; Stan Kenton, piano; Red Mitchell, bass; Marvin Stamm, trumpet; Gabe Baltazar, alto sax; Sam Donahue, tenor sax; Gene Roland, mellophonium, soprano sax
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.