Home » Jazz Articles » Album Review » Avishai Cohen: Adama

509

Avishai Cohen: Adama

By

View read count
Avishai Cohen: Adama
Handling the acoustic bass like a flamenco guitar, then applying the blues, newcomer Avishai Cohen has produced a session in the modern mainstream with considerable intensity. The "fire" comes from his writing; these are all the bassist's compositions except for the standard "Besame Mucho." In putting together his arrangements, Cohen mixes meters in various combinations, allowing them to shift frequently, and couples that concept with a built-in intensity through his harmonic approach. With a core trio consisting of bassist Cohen, pianist Jason Lindner and drummer Jeff Ballard, the melodies are presented with a nod to the leader's improvisational strengths. Soprano saxophonist Steve Wilson and trombonist Steve Davis provide support as well.

"Madrid" opens with the bowed bass and presents a unique approach to blending. Adding the oud of Amos Hoffman to the ensemble, Cohen has combined two distinct flavors - the oud is an Arabic stringed instrument commonly used with quarter tones; thus, the musical effect here is similar to inviting Spanish flamenco dancers and traditional Middle Eastern dancers to the same stage. The savory multi-ethnic flavor continues with "Dror" and "Adama." Cohen stretches out on "Bass Suite #1," providing both bass and percussion parts by slapping the bass and strings. Here and elsewhere, Hoffman, Cohen and Ballard are given an opportunity to stretch out; it is unfortunate that Davis, Wilson, and Lindner are bound by the arrangements and cannot improvise as freely.

Cameos by pianists Brad Mehldau, Danilo Perez and Chick Corea appear at the close of the session. On "Besame Mucho" Mehldau spurs Cohen onward to some of his most lyrical playing on this album. Danilo Perez is at the piano and Chick Corea at the Fender Rhodes piano for "Gadu," which allows the listener to appreciate the difference between the two instruments. Corea and Perez alternate, converse, and trade phrases as conguero Don Alias and bassist Cohen share the spotlight. Newcomer Avishai Cohen has assembled a unique session, largely through his interesting compositions, and is clearly a welcome voice on today's jazz scene.

Personnel

Album information

Title: Adama | Year Released: 1998 | Record Label: Stretch Records

Tags

Comments


PREVIOUS / NEXT



Avishai Cohen Concerts


Support All About Jazz

Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Eternal Moments
Yoko Yates
From "The Hellhole"
Marshall Crenshaw
Tramonto
John Taylor

Popular

Old Home/New Home
The Brian Martin Big Band
My Ideal
Sam Dillon
Ecliptic
Shifa شفاء - Rachel Musson, Pat Thomas, Mark Sanders
Lado B Brazilian Project 2
Catina DeLuna & Otmaro Ruíz

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.