The debut recording of Israeli pianist Ari Erev offers his musical musings about timethe relationship between the fleeting time, the shaping of our memories and the perceptions that we all have about time and its implications on our lives. Erev testifies that his main influence is Bill Evans, and he performs regularly with a program, "Jazz from the Heart" that is based on the iconic pianist's repertoire. The thirteen compositions on About Time loyally represent Evans' insistence on clear song structure. Erev is accompanied by Israeli bassist Yorai Oron, one of the senior players on the Israeli mainstream jazz scene, and drummer Gideon Pasahov.
Erev manages to arrange a program that is coherent in feeling and approach, lyrical, melodic and carefully reserved. Some of his original compositions, such as the lovely "Fading Memories," are well-articulated, with a clear and elegantly developed theme, with enough room for his trio membersOron more than Pasahov to add their own comments. His arrangements of jazz standardstwo by Evans and others that were part of his repertoireand classic Israeli songs by singer/songwriter Shalom Hanoch and popular composer Nurit Hirsch, follow the same cautious and reverential approach, stressing melody over more daring exploration of the songs' inner architecture.
That approach is also the recording's weakness. After several tracks, it begins to feel as if feeling the trio's method of operation can be anticipated too easily, and that it's not going anywhere beyond its distinct comfort zone. It maybe unfair, on a trio's debut recording, to compare it with the defining legacy of Bill Evans, but it was Erev's conscious decision to interpret compositions engraved in memory with Evans, making it fair to wish for interpretations that would shed new light on such familiar standards.
Unfortunately, unlike Evans' great trios, Erev's group lacks the singular sense of immediacy, exploration or abstraction that defined Evans, nor the original and innovative musical language of Evans' musical partners including bassist Scott LaFaro and drummer Paul Motian. About Time offers one hour of lyrical ambiencequite often an elegant onebut, again, also a one-dimensional meditation on time and its perceptions.
Prelude: Anticipation (Short Version); Fading Memories; Song With No Name; Luigi's Muse; These Foolish Things
(Remind Me of You); The Two Lonely People; Interlude: Anticipation; Waltz in G; It Could Happen to You; Past
Desire; I Remember You; The Policeman's Ballad; Postlude: Turn Out the Stars.
All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
WE NEED YOUR HELP
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.