Exhaustive and exhausting (because you won't be able to stop dancing), A Man & His MusicEl Alcalde del Barrio presents the first major retrospective of the 240 albums recorded by Joe Cuba, the Father of Latin boogaloo, and was released in February 2010 to commemorate the one year anniversary of his passing.
Gilberto Navarro was born in early 1930s Spanish Harlem. Inspired by the storied Latin percussionist Sabu, he taught himself to jam on congas and eventually wound up in the neighborhoods' legendary Latin ensemble La Alfarona X. A promoter gave Navarro his "Joe Cuba" stage name; his body of work and the adoration of Latin and dance music fans for that work gave him his nickname, "The Mayor of the Barrio" (El Alcalde del Barrio).
Cuba's lyrics and music deftly and synergistically create the ultimate boogaloo party, and you'll discover way too much fun dancing among these 34 tracks to fully detail. The first track on this compilation asks "Do You Feel It?" and the subsequent music answers with such potent, powerful Latin and Latin boogaloo grooves that you can't help but feel it! Different sections of a very large groupincluding, from its sound, little childrenshout out the "Bang bang" and "Beep beep" lyrics to "Bang Bang," and as dumb as that may read on paper, it sounds brilliant in your ears: "Bang Bang" was one of if not the very first Latin singles to pass one million sales. Those ears won't be able to tell where the piano ends and the vibes begin, and where the vibes end and the percussion begins, in "El Pito (I'll Never Go Back to Georgia)." It all sort of melts together into a musical stream, and sparkles beneath a magical, glorious Latin sun.
"La Calle Esta Durisima" shines no less brilliant, especially when Tommy Berrios' vibes bounce Caribbean beats off its wall of Afro-Cuban percussion, and Berrios' solo to close "Y Joe Cuba Ya Llego" dances like Snoopy rocking his doghouse top.
To be honest, I wish I could share more about other tunes, such as "Macorina," for which I have very few useable notes because, by that time, I just had to get up and dance. Even so, A Man & His Music reveals a truth that Spanish Harlem has known for decades: Joe Cuba led some hellacious Latin boogaloo bands, was himself a ferocious entertainer, and it seems completely impossible to listen to his music without wanting to dance or at least smilewildly.
CD1: Do You Feel It (Remix) (with Ray Pollard); Hey Joe, Hey Joe (with Willie Torres); Bang Bang; It's Love; El Pito (I'll Never Go Back to Georgia); My Man Speedy! (with Willie Torres); Psychedelic Baby (You're Psychin' Up My Mind) (with Willie Torres / Bobby Marin); A Thousand Ways; Ain't It Funny What Love Can Do (with Ray Pollard); Swinging Mambo (with Willie Torres); Wabble-Cha (with Cheo Feliciano); I'm Insane (with Jimmy Sabater); Arinanara (with Cheo Feliciano); La Calle Esta Durisima (with Willie Garcia); Macorina; Los Dos; Y Joe Cuba Ya Llego (with Mike Guagenti). CD2: Boom Boom Lucumi; A las Seis (with Cheo Feliciano); Remember Me (with Cheo Feliciano); Aunque Tu (with Cheo Feliciano); Temptation (with Willie Torres); La Malanga Brava (with Willie Torres / Cheo Feliciano); Joe Cuba's Mambo (with Willie Torres); To Be With You (with Jimmy Sabater); Hecho y Derecho (with Willie Garcia); Componte Cundunga (with Cheo Feliciano); Pregon Cha Cha; Como Rien (with Cheo Feliciano); Jimmy's Jump (with Cheo Feliciano); Bochinchosa (with Cheo Feliciano); Mujer Divina (with Willie Torres); This is Love (with Jimmy Sabater); Mambo of the Times (with Willie Torres).
Joe Cuba: vocals, drums, percussion; Tommy Berrios: vibes; Nick Jiminez: piano; Jules "Slim" Cordero: bass; Jimmy Sabater: timbales, vocals; Ray Pollard: vocals; Cheo Feliciano: vocals; Willie Torres: vocals; Louie Ramierz: vibes; Willie Garcia: vocals; Phil Diaz: vibes; Mike Guagenti: vocals.
All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
WE NEED YOUR HELP
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.