Home » Jazz Articles » Album Review » Boz Scaggs: A Fool to Care
Boz Scaggs: A Fool to Care
ByEach cut, however, continues long enough to hear the salty humor in Boz Scaggs singing and it continues in "Hell to Pay, " which rubber stamps A Fool to Care as a unique entry in his discography. The front man is no less suave than on the most commercially successful record of his career, Silk Degrees (Columbia, 1976), but he sounds more approachable than ever here.
That's why it's so appropriate two of the standout tracks on this record are duets. Bonnie Raitt's slide guitar and voice on that aformentioned cut imprint the performance with her own persona, simultaneously extending the good-natured mood that permeates this record. Meanwhile, Lucinda Williams' presence on the finale, "Whispering Pines," is also thing of beauty too, but an altogether different one as it brings to mind the most heartrending moments of Boz Scaggs' last record as well as some of his earliest such as Moments (Columbia,1971).
It's no small compliment and certainly not a left-handed one to state that Scaggs and Williams together evoke a deeply poignant mood equal to that which Richard Manuel himself created on this song from the Band's eponymous second album. Nor is it any accident the warm tones of accordion on "Small Town Talk," co-written by the bassist of that iconic group, Rick Danko, create a similarly inviting ambiance. The warm tones of vibraphone on "Last Tango on 16th Street" continue in that vein, presaging numbers written by Curtis Mayfield ("I'm So Proud) and Al Green ("Full of Fire"), all of which exhibit the same ensemble unity as an even deeper extension of Scaggs roots in the form of New Orleans' Huey P. Smith's "High Blood Pressure."
Understated as are guitarist Ray Parker Jr, bassist Willie Weeks, keyboardist Jim Cox and Jordan, they are resplendent here on their jaunty own (with only the addition of background singers including Scaggs long-time stage companion Conesha 'Ms. Monet' Owens), illustrating how they've fortified the more lush arrangements on A Fool to Care. Engineer Niko Bolas' mix preserves those diverse textures, including tasty touches of woodwinds, in perfect proportion to the rest of the instruments and the deeply resonant tones of Boz Scaggs' singing too: as on "There's A Storm A Comin'" and "Love Don't Love Nobody," his voice is the most versatile instrument on this record, communicating the truths inside this well-chosen selection of songs.
Track Listing
I’m A Fool To Care; Hell To Pay; Small Town Talk; Last Tango on 16th Street; There’s A Storm A’ Comin’; I’m So Proud; I Want To See You; High Blood Pressure; Full Of Fire; Love Don’t Love Nobody; Whispering Pines
Personnel
Boz Scaggs
guitarBoz Scaggs: rhythm and lead guitars, vocals; Willie Weeks: bass; Ray Parker Jr.: guitars; Al Anderson: guitar; Jim Cox: Hammond B-3, piano, pump organ, Wurlitzer piano, vibraphone; Steve Jordan: drums; Ben Cauley: trumpet; Jack Hale: trombone; Jim Horn: baritone saxophone; Lannie McMillan: tenor saxophone; The Love Sponge Strings; Quentin L Ware: Jr.: trummpet; Douglas Rowan: alto, baritone and tenor saxophones; Jim Hoke: baritone and tenor saxophones, bass clarinet, vibraphone, accordion, alto flute, miscellaneous woodwinds; ; Seth Asarnow: bandoneon; Eric Crystal: tenor and alto saxophones; Clifford Carter: synth atmospherics; Paul Franklin: steel guitar; Conesha “Miss Monet” Ownes, Tony Lindsay and Fred Ross: background vocals; Bonnie Raitt: slide guitar , vocals on “Hell To Pay;” Lucinda Williams : vocals on “Whispering Pines.”
Album information
Title: A Fool to Care | Year Released: 2015 | Record Label: Concord Music Group
< Previous
The Music is the Magic