Karl Seglem: urbs

John Kelman By

Sign in to view read count
Karl Seglem: urbs Karl Seglem's solo performance at the 2006 Punkt festival in Kristiansand, Norway prompted the observation that he is, indeed, the Hendrix of the Goat Horn. That anyone could take such a pure and organic instrument, feed it through an array of effects and come out the other side with a mix of contemporary jazz, Norwegian folk music and more, made it one of the most ear-bending performances at a festival that continues to demonstrate just how far away from its roots jazz has traveled.

Of course there are those who'd simply say that what Seglem—an equally accomplished tenor saxophonist- -does is not jazz. And it may well not be—certainly not by traditionalist definition. But the real question is: does it matter? Seglem's previous release, New North (Ozella, 2004), bore a closer resemblance to the expansionist jazz-centricities of fellow countrymen including Jan Garbarek and Nils Petter Molvær, the latter a guest on that disc. As intriguing an album as New North was, with its core group and wealth of guest appearances, urbs benefits from a consistent line-up and, like many of his fellow Norwegians, a world view that transcends the boundaries of his Scandinavian home.

The title track combines drummer Helge Norbakken's booty shaking Afrobeat, guitarist Olav Torget's metal- edged distortion, co-producer Reidar Skar's live electronics and Seglem's goat horn—so heavily processed, at times, that it becomes something else entirely. The Afro-centricity continues on "Morenelys," with Seglem switching to tenor sax, but when Håkon Høgemo joins in with his Hardanger fiddle—which combines a four-string bowed violin with additional sympathetic resonating strings—its simple melody pulls the music towards a roots sound, drawing an unmistakable link between the traditional folk music of the Norwegians, Celts and Persians.

Electronica beats may drive "Fossil," the album's longest track, but Seglem's melodies further link middle Eastern music with Norway, especially through Torget's use of the oud-like baglava, in addition to his atmospheric electric guitar work. Gjermund Silset's fretless electric bass and, at times, ethereal atmospherics recall Jan Garbarek albums like Paths, Prints (ECM, 1982) and Wayfarer (ECM, 1983), but Norbakken's relentless acoustic and electronic percussion places a more modern spin on the group's referencing of archaic cultural sources.

Garbarek's attention to tone and the purity of every note informs Seglem, though Seglem possesses a warmer tenor tone. While solo opportunities exist, Seglem's writing is often so predisposed to song form that it would be easy to imagine this music being reworked for a vocalist, territory he explored, in fact, on New North.

Think the textures and lyricism of Garbarek's Visible World (ECM, 1996) combined with the modernistic beats, samples and electronics of Nils Petter Molvær's Khmer (ECM, 1997). Add the unique sound of Seglem's often-times processed goat horns and group instrumentation capable of evoking feelings ancient and futuristic—often at the same time—and you've found the unique nexus point where Seglem and his group live on urbs.

Track Listing: urbs; Morenelys; Digeldans (halling); Vridd; Rudlande; Over Oslo; Nye Nord; Folketone; Fossil; Synsrand.

Personnel: Karl Seglem: tenor saxophone, goat horns, electronics; Håkon Høgemo: Hardanger fiddle; Gjermund Silset: electric bass, electric guitar; Olav Torget: acoustic and electric guitars, ngoni, baglava; Helge Norbakken: drums, percussion.

Year Released: 2008 | Record Label: Ozella Music


More Articles

Read Transparent Water CD/LP/Track Review Transparent Water
by Dan Bilawsky
Published: February 20, 2017
Read Billows Of Blue CD/LP/Track Review Billows Of Blue
by Dan McClenaghan
Published: February 20, 2017
Read Love Dance CD/LP/Track Review Love Dance
by Karl Ackermann
Published: February 20, 2017
Read Honest Woman CD/LP/Track Review Honest Woman
by James Nadal
Published: February 20, 2017
Read June CD/LP/Track Review June
by Karl Ackermann
Published: February 19, 2017
Read The Final Concert CD/LP/Track Review The Final Concert
by John Sharpe
Published: February 19, 2017
Read "Ubuntu" CD/LP/Track Review Ubuntu
by James Nadal
Published: September 8, 2016
Read "Altered Narratives" CD/LP/Track Review Altered Narratives
by Mark Corroto
Published: March 13, 2016
Read "Ghosts Appearing Through The Sound" CD/LP/Track Review Ghosts Appearing Through The Sound
by Tyran Grillo
Published: April 27, 2016
Read "The Art of the Improv Trio Volume 1" CD/LP/Track Review The Art of the Improv Trio Volume 1
by Glenn Astarita
Published: November 30, 2016
Read "EARS" CD/LP/Track Review EARS
by Rob Caldwell
Published: April 3, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!