Home » Jazz Articles » Album Review » Christmann / Gustafsson / Lovens: Tr!o
Christmann / Gustafsson / Lovens: Tr!o
Wrong righted, it celebrates the introduction of Swedish saxophonist Mats Gustafsson (then age 30) with two improvisers twenty years his elder: cellist/trombonist Gunter Christmann and percussionist Paul Lovens. Gustafsson had already collaborated on the first-rate discs Mouth Eating Trees And Related Activities (Okka, 1996), with Lovens and bassist Barry Guy, and the duo disc Nothing To Read (Blue Tower, 1991), alone with Lovens. He later recorded the duo set One to (Two)... (Okka, 1999) with Christmann.
Tr!o's eight shortish pieces, none exceeding nine minutes, contain a surprising lack of grandstanding. Each player is satisfied to maintain a constant stake of simmer, or smoldering effect that crackles with energy and pops with sound but represses the outward burst. The tension created is palpable, and adds to the experience.
Lovens and Christmann, longtime collaborators, are comfortable in these environs, taking and giving each space to create. The addition of Gustafsson does not deter their mission. Christmann, a noted trombonist, sticks mostly to cello here, leading Gustafsson's vocalized saxophone. When he does pick up his horn on the fourth and sixth rendition of "Something More," the two sound off as two birds singing from the same tree. The interplay here is egalitarian and elegant. Each player is content to finish the other's' thought, while Lovens chaperones the journey.
Track Listing
Something More; Something More; Something More; Something More; Something More; Something More; Something More; Enough Is Not Enough.
Personnel
Gunter Christmann: cello, trombone; Mats Gustafsson: soprano, baritone saxophone, fluteophone; Paul Lovens: percussion.
Album information
Title: Tr!o | Year Released: 2010 | Record Label: FMP Records
About Gunter Christmann
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







