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In Roman mythology, Janus signified the god of entryways and beginnings, amid two heads that looked to the past and future. On The Two Faces of Janus, however, saxophonist Jason Robinson revealsa multi-contextual and many-sided stance, while maximizing the talents of his estimable support system.
Robinson soars to a zenith during his alliances with reed man Marty Ehrlich and alto saxophonist Rudresh Mahanthappa on select works. But with the core ensemble, Robinson scores a highly literate set of jazz frameworks that integrate nouveau stylization with bop, swing and nods to the freer realm.
Contrasts abound, sparked with a bit of gravitational pull on "Tides of Consciousness Fading." Here, guitarist Liberty Ellman's warm intro is devised with blissful implications, offset by the three-man horn section's ominous undertones. Regimented by drummer George Schuller's tom-tom patterns, the band spins a jazz dirge into an orbital mode of attack, where the hornists' interweaving mini-themes generate a cascading finale. It's one of several enticing propositions set forth throughout the program, as Robinson offers the antithesis to jazz highways frequently traversed.
Personnel: Jason Robinson: tenor saxophone, soprano saxophone, alto flute; Liberty Ellman: guitar; Drew Gress: bass; George Schuller: drums, percussion; Marty Ehrlich: alto saxophone, flute; Rudresh Mahanthappa: alto saxophone.
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.