Home » Jazz Articles » The Mastersounds: The Mastersounds

183
Album Review

The Mastersounds: The Mastersounds

By

Sign in to view read count
The Mastersounds: The Mastersounds
The instrumentation and gentlemanly postures on the cover of The Mastersounds certainly hint at a band who tried to work the same territory as the Modern Jazz Quartet. Once voted best new small combo by the Down Beat Critics’ Poll, the group eventually disbanded in 1960 but reconvened to record the two sessions featured here. Indeed, one can hear the same formality as the MJQ in the Mastersounds, but the problem is that the approach isn’t really all that captivating. One can rest assured that no one broke a sweat while recording these tunes, as austerely as they are played. Working over a set of drowsy standards, the quartet achieves a level of subtlety that ensures that everything begins to sound the same by the third track. Only Monk Montgomery, who plays upright bass instead of the electric bass shown on the cover, threatens to be something more special, with an unexpected wealth of artful soloing time. The MJQ was never a real hard-hitting band either, but the Mastersounds managed to reach new levels of blandness in their brief tenure.

Track Listing

Golden Earrings; People Will Say We're In Love; (There Is) No Greate Love; West Coast Blues; Medley: I've Never Been In Love Before/ Don't Blame Me; I Could Write A Book; Whisper Not; Fink, Fank, Funk; It Could Happen To You; Try It; Alone Together; For Now; Surrey With the Fringe On Top.

Personnel

Buddy Montgomery-vibes; Monk Montgomery-bass; Richie Crabtree-piano; Benny Barth-drums.

Album information

Title: The Mastersounds | Year Released: 2002 | Record Label: Fantasy Jazz

Post a comment about this album

Tags

More

Personalities
Chris Oatts
Live New York Revisited
Horace Silver Quintet
Siwan: Hafla
Jon Balke

Popular

Get more of a good thing

Our weekly newsletter highlights our top stories and includes your local jazz events calendar.