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Cleveland, OH., reared guitarist Mike Sopko (Glimpse Trio, Birth) follows up his alliance with producer, bassist Bill Laswell and drummer Thomas Pridgen on the 2015 self-titled outing with this 2016 bass-less duo project, flanked by drummer Simon Lott (Charlie Hunter Trio, Todd Sickafoose's Blood Orange).
They go for the gusto during these 21 tracks, spanning semi-structured pieces and numerous movements framed on primal improv and unabashed self-determination. The musicians abide by a stout constitution and sustain interest by segmenting the album into numerous works as opposed to possibly creating a sense of listening fatigue via lengthy jams, which is a component that sometimes occurs with these scaled-down improvisational excursions.
The duo projects a calm before the storm vibe on "Visions Distorted," largely due to Sopko's ambient-electric soundscapes and dainty use of volume control techniques, inducing a blissful soundscape. However, Sopko and Lott often delve into crazed and delirious free-form improv passages throughout the program but intermittently change gears with quieter and reflective parts.
"Carol" is an all-out blitz amid the guitarist's furious phrasings and distortion processes, abetted by the drummer's polyrhythmic rumblings. And "T'was Wondrous" is executed with Sopko's cyclical chord clusters atop Lott's leisurely paced backbeat. And while it's slightly hypnotic, there are no memorable hooks or cogent theme-building initiatives taking place. But the duo rallies on "Old Summer Time," by fusing a cantankerous nerve-rattling impetus with the driving boldness of Sonic Youth. Recorded live in the studio, The Golden Measure presents two like-minded instrumentalists taking risks; shooting for the stars, and perhaps enjoying a bit of soul cleansing along the way.
Track Listing: My Liege; Visions Distorted; Westside; Ebber; Outgrabe; 5am; 6am; They Love
Freedom; Age Cannot; Cleveland; Southwest Story; Superintending; Carol; Cloy;
Dream Team; Wake Up, Son; You Ruler; T’was Wonderful; Lay Down Never; Old
Summer time; The Golden Measure.
Personnel: Mike Sopko: guitar; Simon Lott: drums & vocals.
I love jazz because of Elmer Bernstein's score for the 1957 American film noir Sweet Smell of Success, which I first saw as a teenager in the '70s. As a playwright/screenwriter, I write to music and I'm always looking for ways to incorporate it into my work; the most recent example being Bob Crosby and the Bobcats Big Noise From Winnetka, which became the signature theme for my last stage play The Gift of the Gab
I love jazz because of Elmer Bernstein's score for the 1957 American film noir Sweet Smell of Success, which I first saw as a teenager in the '70s. As a playwright/screenwriter, I write to music and I'm always looking for ways to incorporate it into my work; the most recent example being Bob Crosby and the Bobcats Big Noise From Winnetka, which became the signature theme for my last stage play The Gift of the Gab. My late great pa-in-law--the actor Keith Michell--wins the contest hands down however, as he co-starred in the 1962 movie All Night Long rubbing shoulders with Dave Brubeck, Keith Christie, Bert Courtley, John Dankworth, Ray Dempsey, Allan Ganley, Tubby Hayes, Charles Mingus, Barry Morgan, Kenny Napper, Colin Purbrook and John Scott! Wish I could have been a fly on the wall of that soundstage!
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