Unless you happen to be William Parker or Joelle Leandre, the making of a solo bass recording is one (sorry for the pun) plucky career move. That is just what bassist Branden Abushanab has done with these forty-six minutes of The Dust Improvisations.
The South Carolina native delivers five performances that focus on texture over timekeeping, and energy instead of rhythm. Like the early recordings of guitarist Loren Mazzacane Connors, these pieces feel as if Abushanab is reinventing the bass as sort of a free improvisation folk instrument. He eschews the groove, opening the ears to the entropy of his energy.
With titles like "Around The Bridge," "Above The Strings," and "Below The Bow," clues are given to the starting place for the pieces. Mostly favoring the bow over the plucked notes, Abushanab dances his bow, often scratching out bounced and abrasive notes.
Delivered whole without overdubbing or post-edits, the work sometimes comes off as raw or unfinished, a sort of basement tapes to be savored when the bassist is one day rich and famous. Is that possible in the world of free jazz?
Track Listing: Beneath The Wood; Under The Case; Above The Strings; Around The
Bridge; Below The Bow.
First time I met Lee Konitz, my mentor who completely changed my life, in 1992. He was giving a masterclass at the Cologne Conservatory (Germany) where I was a freshmen (with playing experience around three years total)
First time I met Lee Konitz, my mentor who completely changed my life, in 1992. He was giving a masterclass at the Cologne Conservatory (Germany) where I was a freshmen (with playing experience around three years total). He saw an alto sax on my neck and said: Hey, how about you there, would you like to play something for us? I played a piece with the piano. OK, said Lee, how about you play something unaccompanied? Oh yeah! I was deep into transcribing Sonny Stitt and pretty much into playing as fast as possible as many right notes as possible. So I played Oleo in about 300 beats per minute and was very proud of myself. Lee was tapping his foot all the way through. Hmm, he said, that was in time and all that... (I thought - yeah, of course, haha!) and then he said, You've got a lot of quantity, how about quality? It took me 15 years to realize what he meant.