Home » Jazz Articles » Album Review » Trilok Gurtu: The Beat of Love

Trilok Gurtu: The Beat of Love

By Todd S. Jenkins
November 1, 2001
View read count

The many musics of India and Africa are complex, vibrant and life-affirming. The two regions’ musical styles are somewhat intertwined due to centuries of trade and travel, and Trilok Gurtu has created a magnificent document of that cultural crossover. Wally Badarou, the king of world dance beats, was the ideal choice to produce this project, uniting some hot stars from each area for this collection. Roop Kumar, Nandini Sirkar and other Indian virtuosos blend exceptionally well with the African passions of Angelique Kidjo, Salif Keita, Sabine Kabongo and Wasis Diop.

The instantly infectious groove of “Maya” is a fabulous start. Indian film singer Kumar’s engaging vocal over the cheery ethnic bounce delivers a sweet shot of good-time, the first of many to come. Kidjo’s warm performance on “A Friend” could find a comfy home on American R&B radio if only the words were in English. In contrast, Keita’s otherworldly Malian style raises “Have We Lost Our Dream?” to the level of exaltation.

There are so many textures and flavors to choose from here. “Passing By” is dark and sparse, Diop’s quiet vocals are insidiously sensual. “Jhulelal” and “Ingoma” retreat into the profound meditative pulses we tend to expect from Indian traditional musics. “Tuhe” and other tracks are rounded out by a complementary string section. “Ola Bombay” has a majestic triple threat of vocalists: Diop, Nandini Sirkar and Sabine Kabongo, while the Desais levitate to the roof on “Dance With My Lover”. The closing track is a brocaded Indian instrumental that brings listeners down to peaceful relaxation, a cathartic calm. Gurtu has helped make world fusion into a truly rewarding art form since the 80s, and this is a major career highlight for him.

(http://www.bluethumb.com)

Personnel

Trilok Gurtu

tablas

Album information

Title: The Beat Of Love | Year Released: 2001 | Record Label: CMP Records

PREVIOUS / NEXT

When Cooler Heads Prevail
< Previous

A Fireside Chat With Jason Moran
Next >

Support All About Jazz

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.