Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

214

Take Five With Okan Ersan

Okan Ersan By

Sign in to view read count
Meet Okan Ersan:
Born in 1972 on the Northern part of Cyprus, Okan Ersan had the distinctive opportunity to be influenced by the melodies of the east ethnic beats and roots of the oriental Mediterranean. Following his BA degree in classical music, Ersan then blended rock and jazz to create the eclectic fusion of the grooves and exclusive sounds he platforms his music on today.

Instrument(s):
Guitar, piano.

Teachers and/or influences?
John McLaughlin, Al Di Meola, Mahavishnu Orchestra, Scott Henderson, Led Zeppelin, Yes, Rush, Jethro Tull.

I knew I wanted to be a musician when...
my father bought me a keyboard at the age of 12.At the age of 13 I started to play the bass guitar and when I reached 16, I met the guitar. It was that day I decided to be a musician.

Your sound and approach to music:
While I was walking down the street one night in Istanbul, I noticed it was midnight but no one was resting, sleeping—just as if night had not approached. There were different people and musicians from various cultures at each corner; western jazz players, local musicians playing their eastern melodies.. And I wrote the tune "Istanbul Without Midnight." I have a story or memory attached to each tune I write .My music is only an interpretation of my life—as long as I live and feel, I will write.

Your teaching approach:
Music is not a job, it's not a joke..it's responsibility. Music is a language and each style has a culture belongs to. Students need to learn to analyze the alphabet and grammar of the style they have chosen. It consists of three elements: rhythm, melody and harmony.

Students need to work on all of these elements equally. The aim is not only to be a very technical guitarist, but also to play at the exact right moment.

Favorite venue:
My favorite venue was definitely at Leverkusen Jazz Festival. The sound of the hall was perfect with extremely experienced engineers. The festival committee was very helpful and showed hospitality to all artists. But the most impressive part was the audience, they were genuine jazz listeners.

The first Jazz album I bought was:
John Coltrane, Blue Train.

What do you think is the most important thing you are contributing musically?
I'm a Mediterranean guy who lives on an island that has been occupied by various cultures. I have inherited the western and eastern lifestyle which has guided me to fuse these cultures..

CDs you are listening to now:
Al Di Meola, Pursuit of Radical Rhapsody; Yes, 90125; Tribal Tech. Rocket Science; Glenn Hughes, Building the Machine; Richard Galliano, L'Hymne A' L'Amour.

How would you describe the state of jazz today?
Jazz music was pioneered by the poor and exploited black people to reflect their struggle. Today, people from all classes and races are listening to this style which, therefore, is immortal. What is the difference between a pop player and a jazz player? The jazz musician plays 1000 chords for an audience of three and a pop musician plays three chords for an audience of 1000:-)

What are some of the essential requirements to keep jazz alive and growing?
We need to write more, play more, record moreand share our music with people all around the world as much as we can. We need to continue to be productive and never feel less motivated by crowds getting smaller and smaller, year by year. If we make a claim to jazz, then the people will remember and come back.

What is in the near future?
I've just released my new CD and will be promoting it worldwide throughout the year. I'm hoping to share my music with as many jazz listeners as possible. Also, I'm working on a theory book, where fusion meets oriental music.

By Day:
Music music and music. I give guitar lessons and workshops.

If I weren't a jazz musician, I would be a:
An astronaut. The stars and universe have been passions of mine since my childhood. Trying to acknowledge and reach the unknown. Who knows, maybe that's why I chose jazz—the style without limitations.


Photo Credit
Courtesy of Okan Ersan

Tags

comments powered by Disqus

Shop

Start your shopping here and you'll support All About Jazz in the process. Learn how.

Related Articles

Take Five With...
Take Five with Black Tie Brass
By Ryan McNulty
February 7, 2019
Take Five With...
Take Five with Florian Ross
By Florian Ross
February 6, 2019
Take Five With...
Take Five with Christoph Irniger
By Christoph Irniger
February 5, 2019
Take Five With...
Take Five with Kenney Polson
By Kenney Polson
January 15, 2019
Take Five With...
Take Five with Jacopo Penzo
By Jacopo Penzo
January 10, 2019
Take Five With...
Take Five with David Hall
By David Hall
January 9, 2019
Take Five With...
Take Five with Charu Suri
By Charu Suri
January 4, 2019