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Musician

Yes

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Article: Album Review

Clint Bahr: Puzzlebox

Read "Puzzlebox" reviewed by Chris M. Slawecki


Puzzlebox is precisely that: A hard-cover box of musical curios arranged around an 11-minute improvisation ("As Tympani Melt in the Greek Heat") performed not by a band but by a rotating caravan of progressive jazz and rock musicians organized by multi-instrumentalist and composer Clint Bahr. Bahr's collaborators in this curious collection include pianist Marilyn Crispell, violinist ...

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Article: Take Five With...

Take Five With Brian Eaton

Read "Take Five With Brian Eaton" reviewed by AAJ Staff


Meet Brian Eaton From sitting in on drums at an L.A. jazz club at age nine to jamming with Gilby Clarke (former Guns 'N Roses guitarist) in his older brother's band at 11, Brian Eaton found the spark in a pair of sticks that ignited his passion at an early age. The Allegra Drums Artist, musician, ...

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Article: From the Inside Out

Freaks in Mayberry & the Boney Oscar Stomp

Read "Freaks in Mayberry & the Boney Oscar Stomp" reviewed by Chris M. Slawecki


Giuseppe Paradiso & Meridian 71 Parallel Dimensions Ubuntu Music 2022 Parallel Dimensions steers the listener's imagination through a luxurious multicultural tapestry woven in music by drummer, vocalist, composer, arranger and producer Giuseppe Paradiso and his sextet. It explores broad musical horizons that can sound radiantly bright ...

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Article: Book Review

Immortal Axes: Guitars That Rock

Read "Immortal Axes: Guitars That Rock" reviewed by Doug Collette


Immortal Axes: Guitars That Rock Lisa S. Johnson 388 pages ISBN: # 978-1648960239 Princeton Architectural Press 2021 Sometimes a guitar is just a guitar. More often, however, it's a talisman or a totem, a combination of toy and weapon, simultaneous object of love and hate. Above all, though, it's ...

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Article: Album Review

Rory Gallagher: Rory Gallagher: 50th Anniversary Edition Box Set

Read "Rory Gallagher: 50th Anniversary Edition Box Set" reviewed by Doug Collette


The 50th Anniversary Edition box set of Rory Gallagher's eponymous solo debut is an elaborate expansion upon the virtues at the heart of that 1971 record. In fact, as with brother Donal's prose recount of the album's history, each component of content enclosed in the glossy slipcase---its simple but striking graphic design itself replicating that of ...

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Article: Extended Analysis

Who Do You Think We Are?

Read "Who Do You Think We Are?" reviewed by John Kelman


Trying to find a distinct definition of what has come to be known as “The Canterbury Sound" is as elusive as attempting to describe what, in the jazz world, has become an overused epithet for the German ECM Records label and “The ECM Sound." Attempts to do so usually fail short because, rather than being actual ...

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Article: Extended Analysis

The First Generation 1965-1974

Read "The First Generation 1965-1974" reviewed by John Kelman


What do guitarists Eric Clapton, Peter Green, Mick Taylor, Jon Mark, Harvey Mandel and Freddy Robinson, reed/woodwind multi-instrumentalists John Almond, Ray Warleigh, Alan Skidmore, Dick Heckstall-Smith, Red Holloway and Ernie Watts, bassists John McVie, Jack Bruce, Andy Fraser, Tony Reeves, Stephen Thompson and Larry Taylor, drummers Mick Fleetwood, Keef Hartley, Aynsley Dunbar, Jon Hiseman and Collin ...

Results for pages tagged "Yes"...

Musician

Bill Bruford

Born:

Bill Bruford grew up with jazz. As an amateur drummer in the 1960s, and after a handful of lessons from Lou Pocock of the Royal Philharmonic Orchestra, he began his professional career in 1968. He was a guiding light in the so-called British "Art Rock" movement, touring internationally with Yes and King Crimson from 1968-74. There then followed several years spent observing and participating in the music making processes of, among others, Gong, National Health, Genesis and U.K., until Bill felt ready to write and perform his own music with his own band Bruford, recording four albums from 1977-80. It was, however, the reconstituted King Crimson of 1980-84 that provided the vehicle for his revolutionary use of electronics in developing the melodic side of percussion

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Article: Interview

Bill Bruford: In the Court of the Percussion King

Read "Bill Bruford: In the Court of the Percussion King" reviewed by Mike Brannon


From the 1995-2003 archive: This article first appeared at All About Jazz in March 2001. A charmed life might be a good way of describing that of Bill Bruford. Always at the center of and driving vastly creative projects, including King Crimson, Yes, Earthworks, Genesis, Bruford, Gong and many other collaborations of like minds, ...


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